place,” Meier says. The solution was to build a custom cabinet in
front of a wall of exterior windows—ensuring a lighthearted, airy
version of the traditional built-in. Pottery in sand- and sea-inspired
hues fills the ethereal shelves.
The mist, sea, and sand palette meanders into a kitchen that feels
both contemporary and deeply rooted. A hand-painted tile back-
splash in shades of blue and green shimmers against light cabinets
and quartz countertops the color of shoreline fog. Striking bar stools
upholstered with luscious mahogany-hue leather inject a sense of
weightiness, balancing the light scheme. A contemporary sculpture
punctuates the space with dramatic effect.
Similarly theatrical, a black-on-black painting by James Austin
Murray elegantly juxtaposes off-white walls, reclaimed beams, and a
mahogany four-poster in the master bedroom. Fabrics with subtle
pattern and organic movement soften hard lines.
“I feel like the bedroom was a synergistic combination of every-
one’s desires,” Meier says. “Sonja loves black and white, David want-
ed an interesting ceiling, and I wanted it to be cozy and inviting. The
result is a kind of retreat. It feels warm, yet there is high contrast in
materials and color.”
A serene extension of the bedroom, the master bath epitomizes a
focus on quality versus quantity. A French drapier table topped with
stone forms a vanity. Floor planks in a boxed mitered layout accen-
tuate a pewter tub. Cognac-hue draperies meld with wood tones.
“Sometimes it’s simply about letting pieces speak for themselves,”
Meier says. “If the pieces we choose are the right pieces, we don’t need
to dress them up or shout them down. We just let them speak.” +
Interior designer: Amy Meier Architect: Endre Bartanyi
For more information, see sources on page 118
116 THSeptember/October 2019