THE HOLLYWOOD REPORTER 63 AUGUST 21, 2019
JAMES GRAY Blasts Off
The indie stalwart on why he cast Brad Pitt in his new space epic
Ad Ast ra, navigating the Fox-Disney merger and why he’s not afraid
to take on Donald Trump in his next movie BY TATIANA SIEGEL
Back in 2011, director James Gray
happened upon two science articles
that provided the seedling for his
latest film, Ad Astra. The first chronicled an
experiment to split the atom that posed a
small, but real, risk that all known matter in
the universe would be destroyed. The second
dealt with NASA’s quest to enlist astro-
nauts with schizoid personality disorder,
who would be ideal for deep-space mis-
sions because they wouldn’t have to interact
socially. Enter Brad Pitt as the space thriller’s
protagonist, and suddenly Gray, who is best
known for indies like The Immigrant and Tw o
Lovers, was working with a budget much
bigger — $87.5 million — than any of his
previous outings. Ahead of Ad Astra’s world
premiere in Venice, Gray, 50, talked with THR
about whether he’s gone mainstream, how
the film landed in the crosshairs of Disney’s
acquisition of Fox, and why he’s bringing
Donald Trump’s father to the big screen.
What was the mind-set behind casting Pitt
as your lead?
I thought about a very retro, almost 1960s
idea of the all-American astronaut. The idea
was to break down the myth of what it means
to be traditionally masculine, macho. And
the only way you can really break down the
myth is to start with the myth. There’s this
whole mythology that comes along with
[Pitt], and that’s what you can play with.
Ad Astra was a Fox film, but Disney is releasing
it. Have there been any notable changes to the
marketing/decision-making?
That’s a very good question, but I don’t know
that answer simply because the Disney
merger became a possibility while I was still
in post, and the marketing machine of Fox
hadn’t revved up yet. But it was very sad. At
a certain point you’d have meetings with Fox
marketing people, and they all knew they
were going to lose their jobs in a few months.
The whole Fox slate was thrown into chaos.
Is Donald Trump’s father, Fred Trump, going to
be a character in your semi-autobiographical
film Armageddon Time?
How did you know that? (Laughs.) Yeah, he’s
going to have a role in it. He was the head of
the board of trustees of [Kew-Forest School],
a small school I went to for high school. At
this prep school, all of a sudden there was
Fred Trump walking the halls.
Any concern about the inevitable backlash from
Trump trolls or Trump himself?
No, I have no fears at all, because first of all,
you’ve got to take some risks as a creative
person. Sometimes you’re defined by making
enemies that you want to make enemies of.
Brad Pitt (center) stars as an astronaut who travels to the far
reaches of space in search of his missing father.
VENICE
Film
FESTIVAL
↑
FERRAGAMO
For a high-water
platform,
check out these
cork-soled
sandals ($1,190).
↑
SWIMS
This waterproof
lace-up ankle boot
($250) is ideal
when confronted
with flooding
streets in Venice.
→
GUCCI
Costume designer
Luke Reichle says
finding the right
rain cover, like this
floral-print trench
coat ($3,500),
is “the holy grail.”
←
ZEGNA
Style consultant
Andrew Weitz
suggests a light-
weight tech-fiber
coat ($1,395) “that
is chic enough to
go over any look.”
WHAT TO PACK TO STAY
DRY (AND UPRIGHT)