Woman’s Weekly UK – 27 August 2019

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womansweekly.com 41

SHORT STORY

I

woketohearpiano
musicin the flat above.
It wasa beautiful
melody– butboundto keep
meawake.I couldhave
rung the doorbellof the flat
upstairs,askingtheoccupant
to keepthevolumedown.
ButI’donlymovedhere
a monthagoandit wasn’t
a stranger’sfaultthatI was
in bedeachnightby8pm.
I’ddevelopeda routine–
earlyto bedandearlyto rise.
Herein thebasement,my
worldhadcontractedto a
patchof sky,glimpsedthrough
theironstepsandrailings.
Andit wassittingontopof
oneof thestepsthefollowing
morningthatI discovered
a blue-greycat.
‘He’wasn’twearinga collar
andlookedbedraggled.Cats
aregoodat puttingona front,
I remembered.Better than
people,usually.
I arrivedbackfrommy
early-morningtripto the
shopswitha tinof catfood,
only to find my visitorgone.I
decantedthefoodintoa dish
andleftit ontopof thebin.
Thepianomusicwas
louderthatevening.Sibelius,
I thought.It wasa tunemy
granddadusedto play on
histurntable.
Inthemorning,the
blue-greycatwasback
andthefoodgone.A pattern
formedbetweenusand
a bondgrew.Gradually,
I thoughtof tryingto find his
owner– startingwithmy
upstairsneighbour.
‘Twobirdswithonestone,’
I toldkittyonemorning.‘I’ll
mention the piano music at

allhourswhileI’mat it.’
Thecatraised an eyebrow
anda paw.
‘Well,maybe“atall
hours”is pushingit a bit.’
I climbedthebasement
stepsandrangthebellof 1B.
A grumpyvoiceonthe
intercomsaid,‘You’dbetter
notbesellinganything.’
‘Not...exactly.’
Themanwhoopenedthe
doorwasonlyslightlyless
rumpledthanthecat.
‘Isthiscatyours?’I asked.
‘There’sotherflats in this
building.Youtriedthem?’
‘Helookslikea cat
whoappreciatestheclassics.
I hearenoughof them
throughmyceiling!’
Themanstared.Justwhen
I thoughthe’dshutthedoor
inmyface,heinvitedmein.
I gawped
at thepiano
inhisroom.
‘I thought
youwere
playing
CDs,’I said.
‘Doesthat
makea differenceto your
objections?’heasked,the
blue-greycatjumpingonto
thepianostool.‘I only
playforanhourorsoin the
evening.No-oneelse
hascomplained.’
‘I’mnotcomplaining,
I’m...makingyouaware
of mypresence.’
‘Missionaccomplished.’
He’dstartedstrokingthe cat.
‘What’shecalled?’
‘I don’tknow,seeingas
I’m tryingto find his owner


  • Sibelius,’I decidedon
    the spur of the moment, my


cheeks
flushing.
‘Wasn’tthat
a pieceyou
playedthe
othernight?’
They
lookedat
me,man
andcat.
‘Myname’s
Marcus,’said
theman.
Marcus
andI begana friendship.We
tookit slowly,aswaryascats
circlingeachother’sterritory.
Hetoldmeaboutlosing
hiswifeandhiseventual
returnto themusicalpieces
they’dsharedandloved,
findingsolace,ratherthan
heartbreakin thememories.
Eventually,hereturnedto
hisjob
asa music
teacher.
Then
therecame
a timewhen
I recounted
mydivorce
froma husbandI’dnever
suspectedwascheating.
Meanwhile,weshared
a loveof Sibelius(catand
composer),theformer
discoveringa fire escape
connectingour flats.
AndthenSibelius(thecat)
vanished.Wesearchedand
worriedforhimfordays,
untilMarcusshowedme
a printof a paintinghe’d
foundin a localgallery.
It showeda woman,
cradlinga blue-greycat.
‘LadyCecilyWithers.
I looked her up online,’

explainedMarcus.‘Shelived
in thisstreetin the1800s.
Thisblue-greybreedis
calledChartreux.Whenher
husbanddied,shefounda
strayoneoutsideherhouse.
Shecreditedthecatwith
helpingherto overcomeher
griefandto rejointheworld.’
I lookedat thepainting,
and‘Sibelius’lookedback
at me.I’dberejoiningthe
worldsoon,too.I was about
to starta newjob.
Weputtheprintovermy
mantelpieceandI toldMarcus
I wasreadyforthenextstep
in mypersonallife,too.
Helookedat mewith
anxiouskindness.‘Wouldn’t
wantto rushyou.’
‘It’s fine.’I’d cometo enjoy
hiseveningsonatas,curled
uponhissofa,coffeein my
lapwhereI’dlikeanother
catto nestleoneday.‘I’dlove
to goto therecitalat your
schoolnextweek.Andfor
a biteto eatafterwards.’
Mypatchof skywas
wideningto a broadervista,
sometimesgrey– butmore
often, adeepeningblue.
THEEND
Gabrielle Mullarkey, 2019

BLUE & GREY

No-onehadclaimedhimastheirown,

butthisloveableoutsiderseemedto

know exactly what she needed

JustwhenI thought

he’dshutthedoor

inmyface,he

invited me in

TI MEDIA LIMITED, 2019. PHOTO: GETTY

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