QSo far, Griffith has done an admirable job
of continuing and wrapping up stories kicked
off by Young. The J.T. saga was a suspense-
ful tale that concluded with a nail-biting and
satisfying payoff (he’s still alive, Nikki’s not
a killer). Likewise, the Abbott family had
been torn asunder, but that worked as a nifty
plot device to compel Jack to finally accept
REPORT
CARD:
Young^ &
Restless
Head Writer Mal Young’s exit last December. The show is now under the
creative auspices of EP Anthony Morina and HW Josh Griffith, both of
whom have deep ties to Genoa City and who have expressed their mis-
sion to pattern today’s Y&R after the original blueprint of its late creator,
William J. Bell. With that in mind, here’s a look at what’s working, what
isn’t and what needs attention.
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V
Ashley as his corporate equal, aligning the
siblings in a promising new partnership. It’s
also heartening to see the fractured Newmans
united again in light of Victor’s battle with
a potentially deadly blood disease. As the
patriarch deals with the side effects of his
treatments, namely fatigue and forgetfulness,
his vulnerability has strengthened his marriage
to Nikki and made his children more resilient.
Bringing back the character of Adam,
now played by promising daytime newcomer
Excellent
ª
Peace Offering:
Sweet Sorrow: Christel
Khalil delivered beautiful
performances as Lily in
the wake of Neil’s (Kristoff
St. John) death.