Equus – August 2019

(National Geographic (Little) Kids) #1

88 EQUUS 498 AUTUMN 2019


Driftwood (1932, 14:2 hands) was by Miller Boy by the
Hobart Horse by John Wilkins (1905) by Peter McCue,
out of the Comer Mare by Barlow by Lock’s Rondo. The
Comer Mare’s dam was a Thoroughbred from Kentucky.
Driftwood was handsome, smoothly and correctly
conformed, and fast. Standing 14:2 hands, he was first
raced and then was purchased by Ab Nichols of Arizona,
who also owned Clabber. Driftwood beat Clabber in a
famous match-race, and then Nichols’ son trained him
as a rope horse. He could also cut, and his speed helped
him to outmaneuver ducking and diving calves. Driftwood
became the most famous sire of rodeo arena competitors,
both headers and heelers, and his descendants continue
to be highly sought-after.

RANCH-BREDS AND SHOW HORSES


Hollywood Gold (1940, 15:0 hands) was by
Gold Rush who traces in sire line to Swedish
King, a chestnut horse of the Herod family. He
is out of Triangle Lady, a dun mare who was
part of the remuda on the Triangle Ranch,
probably sired either by Yellow Jacket or by
Yellow Jacket’s son Yellow Boy. Hollywood Gold
sired 263 foals in 23 seasons. Horses by him
have been champions in cutting, and he is the
great-grandsire of Tim McQuay’s famous mount
Hollywood Dun It (1983, 14:1 hands), an all-time
champion reining competitor.

DRIFTWOOD


HOLLYWOOD GOLD


in which they held it as not only their
means of livelihood but as a lasting
gift to them from the Great Spirit.
Goodnight preserved one of the last
buffalo herds on his property and was
instrumental in preventing the species
from being hunted to extinction; their
descendants today roam in Caprock
Canyons State Park and in Yosemite
National Park. He was also the fi rst to

get the idea of covering buffalo cows
with Durham bulls to create “cattalo”
or “beefalo.”
After John Adair died in 1885,
Goodnight continued to work in
partnership with Adair’s widow,
Cornelia, who insisted that if the ranch
was going to develop a horse remuda,
it must consist of all bays. Goodnight
eventually left the JA to pursue

business interests in Pueblo and
Denver. Ranch management was then
taken over by a succession of Adair’s
children and heirs but overseen from
1918 onward by experienced cowhand
Tom Blasingame, who worked there for
the next 73 years.
The JA raised horses primarily
for use by its own cowboys. Early on,
Blasingame bought the 1905 Peter
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