(Conjuring the)
Rolling Thunder
Revue: A Bob Dylan
Story by Martin
ScorseseREVIEW
ON THE NETFLIX MENU,
you’ll find the wrong title
for this film. It is missing
an important first word:
‘Conjuring’, which ap-
pears after jerky footage
of the magician-film-
maker Georges Méliès
performing a trick. It’s
the first pointer to the
legerdemain in the
‘pseudo-documentary’
we are about to see.
(Conjuring the) Roll-
ing Thunder Revue: A
Bob Dylan Story by Mar-
tin Scorsese unfolds like
a concert film about
Dylan’s 1975 Rolling
Thunder tour, which
aimed at making thesinger and his troupe
(plus celebrity guests)
accessible to small-town
America. But this is also
a sleight-of-hand exer-
cise where fiction and
fact merge. For instan-
ce, the story that actress
Sharon Stone tells about
her meeting with Dylan
as a 17-year-old—that’s
made up. You probably
won’t realize this unless
you are steeped in Dy-
lanology, or unless you
have read up on the film.
But one is left with a
mild suspicion that this
material didn’t need
such a convoluted fra-
ming story. We have
already had so many
ironical/meta perspec-
tives on Dylan that one
yearns for a straightdocumentary with
authentic behind-the-
scenes footage. Happily,
there is a lot of that too.
Dylan sitting with Allen
Ginsberg at Jack Ker-
ouac’s grave, playing a
harmonium. Patti Smith
telling a goofy story. Joni
Mitchell asserting that
she deserves to be taken
as seriously as male
songwriters. Joan Baez
dressing up as Dylan.
And there are the per-
formances. The most
hypnotic scenes include
the one where we see a
complete performance
of ‘A Hard Rain’s Gonna
Fall’, with no cutaways,
or Dylan performing a
snarling version of ‘Isis’.
That’s where the real
magic of this film lies.A Magical
Conjuring
By Jai Arjun SinghReader’s Digest
Joan Baez
(left) and
Dylan
performing
on the
Rolling
Thunder
tournetflix120 august 2019