PleinAir Magazine – August 2019

(Wang) #1

http://www.outdoorpainter.com / August-September 2019 67


Moore:Thistrippresentedonefantasticscene
afteranother.Aftera while,youthink,OK,I
can’tbeatthat;I’mjustgoingtoabsorbit.I felt
thisoddsortofgroundingwiththecountry.
Someofthetownswestoppedinweretrying
toriseuplikea phoenixfromtheashes;they’re
struggling.Andyourecognizethatthisis
important.
Whenwegotopleinairevents,we’re
usedtogoingtoplaceslikeHawaii,theGrand
Canyon,Easton,Laguna—thesemagnificent
locations.Onthistrip,weweregoingthrough
townswhereyoureallyhavetolookforthe
beauty.Aspainters,that’sourjobanyway,but
seeingtheseplacesbrought out some really
strongemotionsinme.


Sacran:Eachof ushadourownreasonsfor
takingthistrip—theenvironment,thecom-
munity—butforme,mypurposereallyclarified
whenwegotto ourfirststopin LaJunta.It was
obviousthatsomanythingsweredying.Where
I live,therearerailroadtrackseverywhere,but
notrains.Thingsaredisappearingquick;a way
of lifeis goingaway.It wasobviousthata similar
thingwasgoingonin thesetowns.
Whetherthey’reabletorebuildorthey
dieoffcompletely,I wantedtocapturewhat’s
happeningthererightnow.Tomemorialize
theexperience,thesixofusareeachgoingto
doa paintingthat embodies what this trip has
meanttous.


Hunter:Wehadarrivedin LaJuntaat 7:52in the
morning,paintedallday,then got on the train at
7:52 the next morning...


Erickson:I justhaveto interrupthere.Charlie
hadthewholeschedulememorized—everystop,
everyscenichighlight along the way. He’s taken
thistrip 70 times.

Hunter:Well,I don’tmindflying,butif I have
thetime,I’drathertakethetrain.And,also,with
myworkdoingthemusictraincharters,I had
takenthisroutea lot.Bytheway,thereshouldbe
200 of theseroutesacrossthecountryinsteadof
19,butthat’sa separatestory.
Anyway,afterleavingLaJunta,weheaded
to Trinidad,Colorado,andwhenwearrived,
therewasa youngwomanontheplatform—
JhennWhalen.Jhennhadheardaboutwhat
weweredoing,soshecamedownfromDenver
onherown.Sheunderstoodhowimportant
andbeautifultraintravelis andhowpleinair
paintingcanplaya rolein community-building.
It turnsoutshehasa backgroundin nonprofit
management,sowe’vebeenworkingwithherto
figureouthowto turnEnTrainAirintoa no-
profitorlow-profitventure.
Thegoalis tousethecommunity-building
aspectof pleinairtohelprebuildthesesmall
townsthroughtheeconomicpowerandthe
aestheticpowerthatwehave.Therearebasically
threecomponentstowhatwe’rethinkingabout:


  1. AnotherEnTrainAirtripwiththesixof
    usat somepointin thefuture,hopefullytiedto a
    touringmuseumshowthatshowcasesthestudio
    workwe’vecreatedfromthestudieswemade
    duringthistrip.

  2. A pleinaireventat LaPosadain Winslow,
    Arizona, where people can come out and stay,


andpaintbeautifulgardensorrailroadtracks,or
whatever.(“LaPosadais thelastof theHarvey
Househotels,andwasbuiltas partof a planto
createdestinationsforpeoplealongtherailroad
linein the1930s,”addedErickson.)


  1. A no-costblueprintforotherartists—
    bothrecreationalandprofessional—to useso
    theycanexperiencethisextraordinaryrailjourney
    fromChicagoto SantaFe[thestopforSantaFe
    is Lamy,NewMexico]forthemselves.Weseeour
    missionas providingthe“how-to”andassisting
    travelersas theyplaneverystepalongtheway.


Moore:Thebigpicturehereis thatthere’spower
in whatwedo.BetweenthisandOperation
Fundstorm,whichraisedmoneyforFlorida’sFor-
gottenCoastafterHurricaneMichael,I’veseen
artistscometogetheranddoamazingthings.Not
to mentionthepleinaireventsthatcontributeto
schoolartprograms,whichwedesperatelyneed.
I hadgottothepointwhereI feltI was
justmakingprettypicturesforsale,andI
wantedtodosomethingbigger.Thisexperi-
encehasrekindledmydesiretotakewhatI
haveandgiveback,totrytomakea difference.
Maybeit’sa littledifference, but it’s a differ-
encenonetheless.

UpdatefromCharlieHunter:TheSouth-
westChiefremainsunderthreat,as Amtrak
hasonlycommittedtokeepingit running
throughthe 2019 fiscalyear,whichends
inAugust.Legislativeblowbacktoearlier
attemptstodowngradeservicehasbeenso
severe,however,thatit is likelythetrainwill
continuetorun.Alsoinitsfavor,languagein
the 2020 transportationbillstronglysupports
thenationalpassengerrailsystem:“theCom-
mitteedirectsAmtraktoseekanypotential
changestotheNationalNetworkthroughthe
reauthorizationof theFASTAct,andurges
Amtraktoensureanysuchproposalsalso
increaseridershipinruralareasandimprove
serviceforlong-distancecustomers.” (Source:
http://www.railpassengers.org)

KELLY KANE is editor-in-chiefofPleinAir.

Aimee Erickson painting in Santa Fe, New Mexico
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