10 | The Writer • October 2019
FREELANCE SUCCESS
BY PETE CROATTO
W
hen I started doing
the ‘I don’t get out of
bed for less than $4 a
word’ thing, people
started paying me $4 a word.”
This is all Taffy Brodesser-Akner,
the New York Times Magazine staff
writer and freshly minted best-selling
novelist, told Cosmopolitan’s Jen Ortiz.
In mid-June, when the comments hit
the social media terrain, it didn’t take
long for writers to bitch before realiz-
ing Brodesser-Akner is an aspirational
figure, not a nemesis.
Citing a brutal workload and pub-
licity schedule, Brodesser-Akner
declined to comment, though in an
email she attributed the flak coming
from “just a couple of people” and
expressed no regret for what she said.
“Honesty is still good.”
A large lesson exists inside that con-
cise quote: Writers should always ask for
more money. Should our rates start at $
a word? Heavens no. But Brodesser-
Akner first attracted attention as a first-
rate freelancer for a variety of
well-known publications, including
penning a series of memorable profiles
at GQ. She has a remarkable knack for
humanizing celebrities, people whose
business is distancing themselves from
us mortals. Read her piece on Don
Lemon, the frequently mocked CNN
personality, or new Batman Robert Pat-
tinson. She deserves to get paid well.
So do you. All you have to do is ask.
Britni de la Cretaz, a veteran free-
lance writer, asks for more money 95%
of that time. “The rate negotiation
comes when you already know the
publication wants what you have,” she
says. “So, at the point, the power is
actually in your hands.” That’s leverage.
She gets more almost every time.
Editors, de la Cretaz believes, expect
a negotiation. “They’re coming in
low,” she says, “and they almost
always have more money.” If she’s
offered $50 for a blog post, she’ll ask
for $75. For larger publications offer-
ing 60 cents a word, she’ll counter
with $1 a word. For 1,500-word
reported pieces, she started asking for
Money matters
Why freelancers should ask for more money. Always.
“
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