77verge of chopping down all her trees. A widow with seven chil-
dren, she couldn’t see a way forward given the abysmal prices
she was getting for her crop. But since then, she’s been selling
to Kokoa Kamili, and today her cocoa plantation is among the
most productive in the area. “We’ve been getting big money,”
she admits with a shy grin, gesturing toward the new house.at the kokoa kamili factory, the sour, syrupy smell
of fermentation permeates the air, clinging to hair and clothes,
attracting droves of bees that land on sacks of fresh beans and
hover over the puddles of juice beneath them. None of this seems
to faze the workers. They spend their days hauling dripping bags
of cocoa, packing the beans into wooden fermentation boxes, and
shuff ling them across long trays to dry in the sun.
The company employs around 50 people in high season,
and almost all are from Mbingu. The foreman lives across the
street; he used to lend a hand for free until Kokoa Kamili hired
him. The head agronomist, who helps growers with any prob-
lems with their crop, still has his own farm in the area; he first
approached the company as a farmer looking to sell his beans.
On a concrete porch, some two dozen women grade piles of
dried beans, spreading out handfuls over round woven trays.
With quick fingers, they pick out leaves, rocks, and too-f lat
beans, while a handful of overall-clad workers in a warehouse
behind them shovel heaps of fermenting cocoa from one box to
another. Moving the beans every two days keeps the fermen-
tation hot—often as high as 120 degrees Fahrenheit—allowing
the microorganisms responsible for fermentation to thrive.
With outside temperatures in the 90s, it’s a sweaty business.
After six days of fermenting, followed by up to a week of drying
in the sun, a cocoa bean becomes hard and russet-colored, like a
f lattened almond. You can f lake off its thin shell to reveal a firm
nib, deep brown with a tinge of purple. Even unroasted, it tastesunmistakably of chocolate, with some fruity notes of citrus and
banana. (The chocolate-maker will roast the bean to further de-
velop these f lavors.) In a final step, bags of beans are blended to
ensure consistency throughout the batch.i s r a e l c h a g at i , a n ol de r , m u s c u l a r ma n, s e e s h i m s e l f a s
a successful farmer. He has been growing cocoa for 20 years, lon-
ger than any of his neighbors, and has managed to send all three
of his children to university. Since he began selling his crop to
Kokoa Kamili, he has traded a grass hut for two tidy brick houses.
But until recently, Chagati had never actually tasted a choc-
olate bar. It isn’t something he or his neighbors could have af-
forded to eat regularly and, aside from cocoa-flavored cookies,
chocolate isn’t available in the village. During his early years of
cocoa farming, Chagati says, he didn’t even know what sort of
product his beans were destined to become.
Closing this loop is increasingly important for many craft-
chocolate-makers. “We’re acknowledging that the farmer plays
an integral part—what they do is important,” Mullen says. Now
that Chagati is working with Kokoa Kamili, he is starting to ap-
preciate the full scope of his work. Bindra and LoBue will bring
visiting buyers to his farm. He smiles when he hears about the
value people put on the quality of his crop, and the awards the
chocolate has won, at the end of one such visit. He recalls his
first taste, on an earlier visit. “It was good,” he says as LoBue
translates. “Flavorful. A bit sour.” And he’s already dreaming
bigger: “We should make our own chocolate here in Tanzania,”
he says, “and send it out into the world.”
This page, clockwise from top left: Visiting American chocolate-makers; mov-
ing a batch from a fermentation bin; arranging beans on drying racks; cocoa
beans in various stages of fermentation and drying; cocoa pods ready to harvest.
Opposite, clockwise from top left: Cocoa beans being sorted; Bahati Sanjingu, a
Mbingu grower; the flower of a cocoa tree; harvesting the day’s fruit.TANZ
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