Groundfloor
Firstfloor
1
Design
notebook
Q&A with Hamish Stirrat
of Fabricate Architecture
Along with an open corridor, you
originally had multi-coloured fibre
cement panels on the cladding?
You always want to push your clients a
little bit – the original cladding concepts
were trying to tap into their craft, a sort
of pixelated mash-up. They looked at
the drawings and then said, ‘look at us,
we’re not extroverted eccentric artists’.
And I realised at that point I’d projected
onto them my own thoughts of what an
artist would be.
What was it like working with an
extended family as clients? The first
meeting was with the whole family, and
as we progressed the design it was Kirstin
and Dan. Once we finalised the design
they came back together. It was just a nice
design process and a really nice family
- everyone was in tune. Lynne brought
cake out to the builders every day.
Is this kind of house becoming more
common? We’ve done five or six
- they make sense for a lot of reasons,
particularly if the kids have kids. They’re
intergenerational properties, but you
need a bit of space – particularly as
they get older.
You engaged the builder pretty early on?
“We had Rich on board from early on
- we really like to work that way now.
There’s no point in getting a builder in
once you’ve resolved the design. We were
working with him on his place anyway
and it’s exactly the same detailing – so it
was easy for him to come up with a cost
outline knowing it would have a high
degree of accuracy.
What’s next for you? I’m taking a break
for a year – I’m closing the studio and
heading up north to build a house for my
mum. We’ve been working on a low-cost
housing model and this is the first case
study to see if it works. The two-level
house will be a similar floor area to Kirstin
and Dan’s, but this time we’re trying to
bring it in for $200,000.
A piece from the series
‘Still Life’ (2016) by Judy
Darragh.
The ceramics are
by Jenny Lange.
- Entry
- Laundry
- Kitchen
- Dining
- Deck
- Living
- Bedroom
- Bathroom
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120 HOME NEW ZEALAND