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service for everyone—even consumers who didn’t subscribe
to cable or satellite TV. As Plepler put it, “There are 80 million
homes that do not have HBO, and we will use all means at our
disposal to go after them.”
The development of a direct-to-consumer product, which
would eventually be named HBO Now (HBO Go would continue
to serve paying cable and satellite customers), was under way
in Seattle. But Bewkes’s announcement accelerated the time-
line. Again, creating a technology platform would be expen-
sive, mostly because doing so required disciplined, talented,
and well-managed people working with unity of purpose—
which fairly described the opposite of Time Warner culture.
Former colleagues say Plepler and Berkes spoke different lan-
guages. Plepler was fluent in the vernacular of Hollywood;
Berkes was more of a quant. Multiple sources say the rela-
tionship frayed. (Berkes declined to comment.)
HBO executives started considering outside help. Shelley
Brindle, an executive vice president on HBO’s domestic dis-
tribution and marketing team, had recently attended Google
Zeitgeist, a conference in Scottsdale, Ariz. There she’d met
Kenny Gersh, an executive with MLB Advanced Media, a
Major League Baseball limited partnership that had become
expert in streaming high-profile TV events. As it turned out,
the same Sunday night in April when HBO Go melted down
during theGame of Thronespremiere, MLB Advanced Media
had successfully streamed World Wrestling Entertainment
Inc.’s biggest event of the year,WrestleMania. In November,
Plepler made the switch.
A month later, news broke that HBO was yanking the plug
on its internal direct-to-consumer streaming product and out-
sourcing the work to MLB Advanced Media. Berkes resigned.

n March 2015, Plepler introduced HBO Now at an
Apple Inc. press conference in San Francisco. For three
months, the app would be available exclusively on Apple
devices. TheGame of Thronesseason premiere went off with-
out a hitch in April. By February 2016, about 800,000 sub-
scribers were paying $14.99 a month for HBO Now. Finally, a
reign of stability took root.
It lasted about a year. With the market growing quickly,
MLB Advanced Media spun off its streaming division to form
a separate company called BamTech. Over the summer, Walt

Disney Co. acquired a 33 percent stake for $1 billion. Suddenly,
the digital future of Time Warner’s prized network depended
on a service controlled by a chief rival.
Enter House Telco. In October 2016, AT&T bid $85.4 billion
for Time Warner. The telecom wanted to diversify its business
to outmaneuver rivals Verizon Communications Inc. and Sprint
Corp. And AT&T execs believed Time Warner’s entertainment
assets, led by HBO, could help it take on Netflix. But first the
company would have to move HBO off Disney’s property.
For many months, HBO waited while the offer navigated
regulatory shoals. The whole time, the role of CTO remained
vacant. In summer 2018 the network closed out its deal
with BamTech and repa-
triated its streaming ser-
vice. These days, Netflix’s
technology can make
HBO’s apps look like por-
tals to the Dark Ages. In
“Bandersnatch,” a recent
specialepisode ofBlack
Mirror, Netflix watchers
could tap on their screen to alter the narrative.
After years of experimentation, HBO still doesn’t have
much control over a key aspect of the direct-to-consumer
streaming experience—the consumer. “We believe HBO Now
has over 8 million subscribers today, however, the over-
whelming majority are ... via Amazon Prime, Hulu, etc., with a
small fraction of subscribers truly direct-to-consumer,” writes
Rich Greenfield, an analyst with BTIG LLC.
On March 4, AT&T named Robert Greenblatt, former
head of entertainment at Showtime and NBC, the chairman
of WarnerMedia Entertainment. In that role, Greenblatt will
oversee the company’s direct-to-consumer streaming ser-
vice. Whenever that product is ready, it will enter a brutally
competitive market. Two other major conglomerates, Disney
and Comcast Corp., plan to release similar services to take on
Netflix, Amazon, and Hulu. In an interview with Bloomberg
News, Greenblatt said many details about how HBO and the
other Turner and Warner Bros. assets would be combined into
the mix had yet to be settled—the same challenge the network
was working on in 2013. “It won’t be easy to coordinate it all,”
he says.  —With Gerry Smith and Lucas Shaw

51
Netflix makes

HBO’s apps look


like portals to


the Dark Ages


I


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DATA: HBO, IMDB. CONTINUING SERIES ARE THOSE LISTED AS AIRING CURRENTLY, AIRING SOON, OR RENEWED ON HBO.COM
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