Woman’s Day USA – September 2019

(John Hannent) #1

48 SEPTEMBER 2019 WOMANSDAYMAGAZINE


Inspire / SISTERS IN SONG


CP: You have Kelsea, Maren


and myself, and Runaway June


and Lindsay Ell really doing


some things on the charts that


are amazing, and I think we’re


all really happy for and rooting


for one another. We know we’re


just continuing to bulldoze it


down so the next girl in 10 years


is sitting there watching us the


way we watched Faith and Reba


and wondering, “Oh my gosh,


can I be like them?”


On Working With
Other Women

ML: The Roadside Bars & Pink


Guitars Tour [kicking off this


month] is all females. I get to go


watch these girls every night and


get inspired and try to go kill it


after I watch a full show of girls


who killed it. It’s such a driving


force to lift each other up and


push each other.


I’m in a group with Ashley


Monroe and Angaleena Presley


called Pistol Annies. We put into


songs the things you talk about


at a girls’ night with wine. We


want other women to know that


they’re not alone. We’re not afraid


to talk about the good, bad, and


ugly, because it’s real.


RM: I love to work with other


women because it gives me


strength; it gives me inspiration.


And I say to myself, “Wow, they’re


doing this, and I can do that, and


I’m going to put more work into


it and I’m going to be this, because


they inspire me.” They show me


better ways of doing things.


CP: I think it’s a sisterhood. I think


you’re seeing, more than ever, lots


of women on the radio, and I feel


like we all believe that if one of us


is winning, we’re all winning.


We are championing each other.


ML: There’s room for all of us, and


competition is healthy. It makes


me want to work even harder.


I


n his new documentary,
filmmaker Ken Burns
does one of his
signature deep dives
into the origins, history,
and colorful personalities
of country music. Airing
September 1 5 on PBS, the
eight-part Country Music
is a joyful celebration of a
uniquely American genre.
Burns painstakingly
examines the evolution of
country music through the
work of artists like the Carter
Family and Hank Williams.
“At the heart of every
great country music song
is a story,” he says. “As the
songwriter Harlan Howard
said, ‘It’s three chords and
the truth.’”
Another major focus of
the film: the women who
gave country their own brand

of emotional resonance,
like Patsy Cline, with her
achingly lovely voice,
and the beloved icon Dolly
Parton. “Whether it’s the
sisterhood that runs across
generations or the topics
the songs cover, women
and their stories have always
been an essential part of
country music,” says Burns.
The film also reminds us
of country’s unique ability
to bring people together,
whether at early barn dances
or the down-home Grand Ole
Opry in Nashville. Musician
Rhiannon Giddens, who
is interviewed in the film,
told Woman’s Day: “People
connect through music
faster than any other thing.
Somebody hums a tune, the
other person hums a tune,
and you’re in.”

COUNTRY ROOTS


Some of
the artists
featured
in Country
Music,
clockwise
from top
left: Dolly
Parton, Patsy
Cline, Charley
Pride, Tammy
Wynette,
and Johnny
Cash and June
Carter Cash.

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