CLASSICS
58 HI-FI WORLD SEPTEMBER 2019 http://www.hi-fiworld.co.uk
ROTEL RA-820BX 1983 £139
Lively and clean budget integrated that arguably
started the move to minimalism.NAD 3020 1979 £69
Brilliantly smooth, sweet and punchy at the price and
even has a better phono stage than you'd expect. The
archetypal budget super-amp.ROGERS A75 1978 £220
Lots of sensible facilities, a goodly power output
and nice sound in one box. The later A75II and
A100 versions offered improved sonics and were
seriously sweet.A&R A60 1977 £115
Sweet and musical feature-packed integrated; the
Audiolab 8000A remains a classic.SUGDEN C51/P51 1976 £130
Soft sounding early Sugden combo with a plethora
of facilities and filters. A sweet and endearing
performer but lacking in power and poor load driv-
ing ability.SUGDEN A21 1969 £ N/A
Class A transistor integrated with an eminently
likeable smoothness and musicality. Limited inputs
via DIN sockets.ROGERS CADET III 1965 £34
Sweet sounding valve integrated, uses ECL86
output valves, even has a half useable phono stage,
sweet, warm a good introduction to valvesCHAPMAN 305 1960 £40
Smooth pre/power combo with a sweet and open
sound. Not quite up to Leak/Quad standards but
considerably cheaper secondhand.POWER AMPLIFIERS
ELECTROCOMPANIET NEMO 2009 £4,995
(EACH)
Norwegian power station as cool as a glacier ton-
ally, yet impresses with sheer physicality and fleet-
ness of foot. 600W per channel.NUFORCE REFERENCE 9SE V2 2006 £1,750
Brilliant value for money monoblocks with massive
power and super-clean, three dimensional sound.QUAD II-80 2005 £6,000
PER PAIR
Quad’s best ever power amplifier. Dramatic
performer with silky but dark tonality, blistering
dynamics, serious power and compellingly musi-
cal sound.QUAD 909 2001 £900
Current-dumper has a smooth and expansive char-
acter with enough wallop to drive most loads. Not
the most musical, but superb value all the same.
NAIM NAP 500 2000 £17,950
Flagship amplifier will drive just about any speaker
with ease. Factor in the company’s trademark pace,
rhythm and timing and it all adds up to one effort-
lessly musical package.MARANTZ MODEL 9 1997 £8000
Authentic reproduction monoblocks still more than
cut the sonic mustard. Highly expensive and highly
sought after.MICHELL ALECTO 1997 £1989
Crisp, clean and beautifully controlled with gor-
geous styling. Partnered with the £1650 Orca this
sounds delicious!MUSICAL FIDELITY XA200 1996 £1000
200W of sweet smooth transistor stomp in a
grooved tube! Under-rated oddity.PIONEER M-73 1988 £1,200
Monster stomp from this seminal Japanese power
amplifier, complete with switchable Class A and
Class B operation. Clean, open and assured sound-
ing, albeit a tad behind the pace on high speed
dance music. Rosewood side cheeks and black
brushed aluminium completes the experience.KRELL KMA100 II 1987 £5,750
Monoblock version of the giant KSA-100 is one
of the seminal 80s transistor power amplifiers.
Massive wallop allied to clean and open Class A
sound makes this one of the best amplifiers of
its type.RADFORD STA25 RENAISSANCE
1986 £977
This reworking of Radford’s original late sixties
design was possessed of a wonderfully rich, old
school valve sound with enough power (25W) and
lots of subtlety.QUAD 405 1978 £115
The first of the current dumpers is a capable
design with smooth, effortless power and a decent-
ly musical sound. 606 and 707 continue the theme
with greater detail and incision.HH ELECTRONICS TPA-50D AMPLIFIERS
1973 £110
Simple design with easily available components,
solid build quality and fine sound make for a sur-
prisingly overlooked bargainLECSON AP1 1973 £ N/A
Madcap cylindrical styling alluded to its ‘tower of
power’ pretensions, but it wasn’t. Poor build, but
decently clean sounding when working.QUAD 303 1968 £55
Bullet proof build, but woolly sound. Off the pace,
but endearing nonetheless. Some pipe smoking
slipper wearers swear by them!LEAK STEREO 20 1958 £31
Excellent workaday classic valve amplifier with
decent power and drive. Surprisingly modern
sounding if rebuilt sympathetically. Irrepressibly
musical and fluid.LEAK STEREO 60 1958 £N/A
Leak's biggest valve power amp offers 35 Watts
per channel and more low end welly than the
smaller Stereo 20. Despite concerns over reliability
rarity value means high price.QUAD II 1952 £22
The all-time classic valve amplifier, with a deli-
ciously fluid and lyrical voice. In other respects
though, it sounds hopelessly dated. Low power and
hard to partner properlyLEAK POINT ONE, TL10,
TL12.1, TL/12 PLUS 1949 £28
Early classics that are getting expensive.
Overhauling is de rigeur before use, using original
parts if possible. Surprisingly crisp and musical.
Deeply impressive in fine fettle.PRE AMPLIFIERS
AUDIOLAB 8000C 1991 £499
Tonally grey but fine phono input and great facilities
make it an excellent general purpose tool.CROFT MICRO 1986 £150
Budget valve pre-amp with exceptionally transpar-
ent performance.CONRAD JOHNSON
MOTIV MC-8 1986 £2,500
Minimalist FET-based preamplifier is brilliantly
neutral and smooth with a spry, light balance in the
mould of Sugden. Something of a curio, but worth-
while nonetheless.AUDIO RESEARCH SP-8 1982 £1,400
Beautifully designed and built high end tube pre-
amplifier with deliciously sweet and smooth sound.
Not the last word in incision or grip.LINN LK-1 1986 £499
A brave attempt to bring remote controlled
user-friendliness to hair-shirt audiophile hi-fi.
Didn't quite work, but not bad for under £100.NAIM NAC 32.5 1978 £ N/A
Classic high end pre. Brilliantly fast and incisive
sound that's a joy with vinyl but a tad forward for
digital.LECSON AC-1 1973 £ N/A
Amazing styling courtesy of Allan Boothroyd can’t
disguise its rather cloudy sound, but a design clas-
sic nonetheless.QUAD 33 1968 £43
Better than the 22, but Quad's first tranny pre isn't
outstanding. Responds well to tweaking/ rebuilding
though...LEAK POINT ONE STEREO 1958 £ N/A
Good for their time, but way off the pace these
days. Use of EF86 pentode valve for high gain rules
out ultra performance. Not the highest-fi!QUAD 22 1958 £25
The partner to the much vaunted Quad II mono-
blocks - cloudy and vague sound means it's for
anacrophiles only.