gramophone.co.uk GRAMOPHONE SEPTEMBER 2019 113
ScottHamiltonQuartet
DanishBallads...&More
StuntFSTUCD 18102
Havingpreviously
recordedanalbumfor
Stuntthatconcentrated
onSwedishballads,
Hamiltonnowshiftshis
attentionto 10 moreeven-pacedpiecesbut
thistimeofDanishorigin,withthesame
trioinsupport.Whilesomeofthese
themesmaybefamiliar,theircomposers
maybelessso.OscarPettiford,whohad
settledinCopenhagen,wrote‘Montmartre
Blues’atthetimeheandDexterGordon
wereoftentobeheardatthatcity’sClub
Montmartre;Hamiltondigsinhappilyon
thisone,theenergybuildingnicely,
Lundgrenintohisstride.‘MyLittleAnna’
isbythelateDanishbassplayerNHØP
andwaswrittenforhisdaughter;it’sa
prettytuneandallowsHamiltonto
meanderpleasantlyaroundthetheme.
That,tobehonest,isprettymuchwhathe
doesthroughoutthisengagingifrelatively
undemandingouting.Hamiltonfounda
waytoplaythatsuitedhimdecadesagoand
hecontinuestopleaseaudienceswherever
hegoes.Unblemishedsound,unhurried
melodiccontrol,acentredapproach,and
yes,asensethatallisrightwiththeworld.
PeterVacher
MarkLockheart&RogerSayer
SalvatorMundi
EditionF 1132
Withinsixmonthsof
releasingMark
Lockheart’spainterly
orchestralprojectDayson
Earth,EditionRecords
nowpresentstheLooseTubesandPolar
Bearsaxophonist/composerimprovisingon
AnglicanhymnsinaduowithRogerSayer,
theorganistofLondon’sacoustically
hauntingTempleChurch.Onthesoftly
pipingtitle-trackby17th-centuryorganist
JohnBlow,Lockheartgracefullysustainsits
discreettripletbounceinhisimprovisation,
andSayer’sghostlyorganostinatoswirls
aroundmurmuringsopranosaxrepeat-
notesandpurringrunsasthefamous
traditionalthemeof‘InDulciJubilo’
acceleratesfrommeditationtoagentle
churn.Tallis’s‘ThirdTuneforArchbishop
Parker’sPsalter’getsaminimalism-driven
organpartandamoreruggedappearance
forthetenorsax.Theshapelylyricismof
thismusicmakesitaworthyshelf-
companiontoGarbarek’sOfficium,or
Surman’sABiographyoftheRevAbsalom
Dawe,thoughit’salittlemore
improvisationallycautiousthansuch
stablematesasthose.JohnFordham
DebashishBhattacharya
Joy!Guru
UnzippedFlyRecordsFUFCD014
‘HereComestheMoon
King’,the12-minute
openingtrack,setsthe
mood.Itbeginswitha
preludeoftingling
stillness;theslideguitarhighinthenight
sky,shimmeringlikeafirefly.Apartfroma
Hawaiianmoment,mostoftheseventracks
herehaveanighttimeflavourforthe
obviousreasontheywererecordedinanall-
nightsessioninastudioatPolishRadio.
The14-minute‘MidnightRaga’once
againbringsuscalm,delicacyandmagic,
withnotesthatslide,bendandgodownto
thesublimelowerregistersofBhattacharya’s
chaturanguiguitar.It’sfollowedby
‘ChaturanguiExpress’–afour-minute
shootingstarflashingthroughtheheavens.
BhattacharyaisjoinedbytwoPolish
musicians,WojtekTraczykondoublebass
andHubertZemlerondrums,andthey
respondsympatheticallytoBhattacharya’s
musicandbringacoupleofcompositions
byTraczyk.Itwasaclearlyathrillingand
productivenight’swork.SimonBroughton
VariousArtists
TheLostWords:SpellSongs
QuercusRecordsFQRCD04
SpellSongsmadeitsstagedebut
earlierthisyear,itsmusic
sprungfromthe‘spellsongs’of
naturewriterRobert
Macfarlaneandthenature
imagesofartistJackieMorris.Eachofthese
‘spellsongs’isdedicatedtobringingwords
thathavebeguntovanishfrom21st-century
children’svocabularies–acorn,adder,
bramble,conker...It’samusicalcompanion
piecetothebook,andnowcomesasa
CD-bookordeluxevinylset,completewith
newspellsbyMacfarlaneandpaintings
byMorris.
Theeightmusicians–KarinePolwart,
JulieFowlis,SeckouKeita,KrisDrever,
KerryAndrew,RachelNewton,Beth
PorterandJimMolyneux–congregated
underthepatronageofFolkbytheOakin
January,recordedimmediatelyafterwards
atRockfieldstudiosandperformedfour
sell-outshowsinFebruary.
SpellSongsprovestobeexquisitemusical
reimaginingsandsettings,withastrong
collaborativespirit,especiallyonthelikes
of‘Willow’,featuringSeckouKeita’skora
andvoicepairedwiththevoiceofRachel
Newton.‘Scatterseed’isanotherhighlight,
aKrisDreverspecialwithKeita’skora
shimmeringagainstDrever’sguitar.An
outstandingproductionandkeepsake.
TimCumming
Jazz
World Music
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