STEP ONE
With acrylics, I undercoat the
canvas roughly with a light blue
mixture of White, Cobalt Blue
and a touch of Yellow Ochre. I
sketch my subject with pencil on
tracing paper and transfer the
drawing onto the dried canvas
before outlining with Burnt Sienna.
STEP TWO
I begin painting the background
using a mixture of White,
Yellow Ochre, a touch of Burnt
Sienna and a little Cobalt Blue
(all acrylics). I also paint the shoes
with Burnt Sienna; and dilute
Raw Umber with water for the hair.
STEP THREE
Still using acrylics, I start to paint
the singlet top with Cobalt
Blue, Light Blue and White; then the
skirt with Cobalt Blue and Light Blue.
STEP FOUR
I use acrylics in Yellow Ochre,
White and a touch of Cadmium
Red for the skin tones. I paint the
face, neck, arms and legs. Then
I add a touch of Viridian and Burnt
Sienna for the light shadows.
I paint the shoes with Burnt
Sienna for the second coat and
Yellow Ochre for the design; and
I add Raw Umber to the hair. I
also start to paint the low stone fence
using Burnt Sienna, Cobalt Blue and
White. I then allow the work to dry.
STEP FIVE
Moving now to oil paints, I mix
White, Yellow Ochre and a touch
of Cadmium Red for the skin tones.
I add a touch of Viridian and Burnt
Sienna for the light shadows and start
blending shadows with a
clean brush. I add more
White to the skin tones mixture
for highlights, and blend in ...
before starting to apply details to
the face, eyes, nose and lips.
STEP SIX
With a mixture of Burnt Sienna,
Cadmium Red, a touch of Viridian,
and White, I paint the shadows of the
face, nose, and neck; and blend in. I
use the same technique for the arms
and legs. For the lips, I use Cadmium
Red and Yellow Ochre (with White
Step 1 Step 2
HINTS AND TIPSHINTS AND TIPS
- Concentration is paramount, so
avoid interruptions if possible. - Apply each colour only when the
previous coat is sufficiently dry. - Cover your painting for a few
days before the final touch-
up ... this will help you to
determine if any alterations
are needed on your work.
Step 3