The Guardian - 08.08.2019

(C. Jardin) #1

Section:GDN 12 PaGe:8 Edition Date:190808 Edition:01 Zone: Sent at 7/8/2019 16:52 cYanmaGentaYellowblac



  • The Guardian
    8
    Thursday 8 August 2019


PHOTOGRAPHS: JOHNNY SAVAGE/THE GUARDIAN; TIGER ASPECT/BBC; CARYN MANDABACH PRODUCTIONS/BBC; KOBAL/REX/SHUTTERSTOCK

called Enda Walsh. “It did feel kind
of pivotal, and it wasn’t just that
summer – everything happened in
the month of August,” says Murphy.
In the space of four weeks his life
dramatically changed course. Law
and music went by the wayside,
while acting and life long
relationships with Walsh and
McGuinness were set in motion. “I
remember the confi dence of youth
that you have. You’re just going to
go for it and when you’re 19 or 20
nothing seems permanent. It was an
adventure but, looking back, it does
seem hugely formative.”
When I meet Murphy in the lounge
of a Soho hotel his hair is well on
the way towards shoulder length,
and he has a short beard peppered
with a few grey hairs – a byproduct

‘I hope the violence is always made to lo


Peaky Blinders star


Cillian Murphy talks


to Lanre Bakare


about gangsters,


PTSD, #MeToo,


what Brexit means


for Ireland – and


James Bond


fi de pop culture phenomenon.
Try to pick up a men’s magazine
and avoid its presence. You have
probably noticed the rise in people
wearing Blinders-esque three-piece
suits. There are a video game and a
fi lm in the works , and, next month,
a music festival. David Beckham
started a clothing line inspired by
its sartorial style ; Arsenal ’s Basque
coach Unai Emery watches it to
improve his English , and it has
the marker of any self-respecting
cultural curio: its own dedicated
podcast.
Murphy was surprised by the
success after taking the role, his
fi rst TV job in years. “I didn’t
understand the title,” he admits,
but says he was impressed by
Steven Knight’s story , which was

of his role in another Walsh play, an
adaptation of Max Porter’s Grief Is
the Thing With Feathers. Dressed
in a pair of jeans and a bomber
jacket, he looks like a quietly cool
dad who has been sent out to fetch
a complicated coff ee order. So
what does he think the earnest and
ambitious 19-year-old Murphy would
think of his career? “I think he would
be surprised ... and probably a bit sad
that the music thing didn’t work out.”
Makers of fl at caps and henley
shirts everywhere will be thankful
Murphy didn’t choose the musical
route. He is about to return to TV
screens as Tommy Shelby, the
patriarch and mob boss in the BBC’s
Birmingham-set gangster series
Peaky Blinders, which is now in its
fi fth season and has become a bona

I n the summer of 1996,


Cillian Murphy was at a crossroads.
He had failed his law exams at
University College Cork. He had
turned down a three-album record
contract with his Frank Zappa-
infl uenced “funk-jam band”, the
Sons of Mr Green Genes. He had
met his wife (the artist Yvonne
McGuinness ), and he had decided to
audition for – and was cast in – Disco
Pigs , a play about Cork teenagers
by a then largely unknown writer

‘If you look at
Oswald Mosley
you hold a mirror
up to what is
happening now’
... Cillian Murphy

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