56 new york | august 5–18, 2019
The CULTURE PAGES
sea wall/a life is at the Hudson Theatre.
T
hey headline Sea
Wall/A Life, but aside
from the curtain call,
Jake Gyllenhaal and
Tom Sturridge are never
onstage at the same
time. But they’ve clearly become friends,
joking when I meet them backstage about
posing on the sofa in the style of those sul-
try ads for Burn This with Keri Russell
and Adam Driver. As the more established
movie star, Gyllenhaal acts a bit like the
older brother to Sturridge’s more intro-
verted, fidgety British sibling, though we’re
grading on a curve here: They’re both ner-
vous, fidgety people. Also, they are wearing
matching gold chains.
The show started at the Public Theater
in February and March and now has
moved to Broadway with the same direc-
tor, Carrie Cracknell. In the first of the
two monologues, Sea Wall, by Simon Ste-
phens, Sturridge plays a photographer
who describes his relationship with his
wife and father-in-law; then comes A Life,
by Nick Payne, in which Gyllenhaal’s
character talks alternately about his
father’s illness and his wife’s pregnancy.
Both monologues reveal a tragedy at
their centers, which might make them
seem like acting exercises. As might get-
ting two actors together to talk about
what the other is doing onstage and how
each of them got there. One thing Gyllen-
haal is sure of is that the show has been
subtly enlivened in its transfer. If nothing
else, by the weather outside. “People
Photograph by Jonas Fredwall Karlsson
Se a Wall in the
Summertime
Jake Gyllenhaal and Tom
Sturridge in dialogue about taking
their conjoined monologues
to Broadway. By Jackson McHenry
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