New York Magazine – August 05, 2019

(Darren Dugan) #1

72 new york | august 5–18, 2019


where Americans are no longer manipulated by
racist ideas, where black lives matter.” Here, his
take on what an anti-racist society would look
like. Catch Kendi in conversation at Judson
Memorial Church.
TV


  1. (^) Wat ch
    The Terror: Infamy
    Feel-bad television.
    AMC, August 12.
    Season one of The Terror watched as the crew of
    two 19th-century English exploratory ships were
    done in by disease, accidents, and a mysterious
    beast. Season two is set in the WWII-era Japanese
    internment camps, with an international cast
    (headed by Derek Mio and George Takei, who was
    an inmate in the camps as a child) being stalked
    by, well, a metaphor, probably. m.z.s.
    MOVIES

  2. (^) See The Princess
    and the Frog
    Bring back the animation.
    Netflix.
    The recent “photorealistic” version of The Lion
    King might be a hit, but its soulless, nature-doc
    quality has left many of us hankering for the lumi-
    nous colors and warmth of some old-fashioned
    Disney animation. The Princess and the Frog was
    one of the company’s last traditionally animated
    feature releases, and also one of the most over-
    looked. The offbeat romance, combined with
    lovely New Orleans atmosphere and some daz-
    zling phantasmagoric sequences involving voo-
    doo spells both good and bad, all remind us of
    what the studio once did so well.
    POP MUSIC

  3. (^) Listen to
    The Center Won’t Hold
    “I need something pretty.”
    Mom + Pop Music, August 16.
    Olympia, Washington, punk-rock group Sleater-
    Kinney’s ninth album is a daring change of course
    that cost them a drummer—the talented Janet
    Weiss walked because she didn’t dig the new
    direction. But Center’s delightful soul and girl-
    group aesthetics, aided by production from St.
    Vincent, helped craft a record worthy of the band’s
    airtight back catalogue. c.j.
    TV

  4. (^) Wat ch They Ready
    We are.
    Netflix, August 13.
    Mixing daffy boldness with a deep generosity of
    spirit, Tiffany Haddish has proved herself a bea-
    con of light in an often sour industry. She tucked
    Girls Trip into her back pocket and skipped off
    with it, and charmed David Letterman so thor-
    oughly that she had him working in her backyard
    garden. Now she’s moved up to being an impre-
    sario and promoter, helping other African-Amer-
    ican women comics by showcasing them in this
    series of half-hour specials. Her initial lineup
    includes Chaunté Wayans (Wild ’n Out) and April
    Macie (Last Comic Standing). m.z.s.
    MOVIES

  5. (^) See Them That Follow
    The story of Hope Slaughter.
    In theaters.
    Did you know there are still Evangelical churches
    in which members handle poisonous snakes and
    regard themselves as spiritually pure if they’re not
    bitten? Me neither, but you hear about them when
    some preacher loses an arm (or a life), and now
    there’s a fictional film, Britt Poulton and Dan Madi-
    son Savage’s Them That Follow, that lets you watch
    them pray, get bitten, and be directed to expel the
    poison under their own (and God’s) power. Walton
    Goggins and Olivia Colman star. d.e.
    PODCASTS

  6. (^) Listen to
    The Last Days of August
    Ahead of the last days of August.
    Audible Originals.
    In this true-crime podcast, Jon Ronson and Lina
    Misitzis focus on the mystery around adult per-
    former August Ames’s suicide. Vulture’s Nicholas
    Quah lists it among the best podcasts of 2019.
    “What starts off feeling like what could possibly
    be another rote exercise in true crime eventually,
    and elegantly, evolves into a portrait of loneli-
    ness,” he writes.
    POP MUSIC

  7. (^) See Miyavi
    No sleep till Tokyo.
    Sony Hall, August 19.
    Although his stage presence nowadays is less
    Dark Crystal crashes the Palace of Versailles, the
    “Samurai guitarist” Miyavi still has an electric
    onstage persona and puts on an incredible show.
    Well known in Japan since the early aughts for his
    unique, lightning-fast guitar-slapping style, he’s
    worth seeing, even if you don’t know Japanese.
    “Barre is a bizarrely and clinically eroticized
    experience. This is partly because of the music:
    barre offers you the opportunity to repeatedly
    clench your left butt cheek in a room full of
    women experiencing mute, collective, seven
    A.M. agony while listening to an EDM song
    about banging a stranger at the club. But there’s
    an aspect to a barre class that actually resembles
    porn, specifically a casting-couch video. It places
    you, the exercise-seeker, in the position of the
    young woman who is ‘auditioning’ on camera.
    Your instructor is the third party, a hot woman
    who tells you to switch positions every thirty
    seconds and keep your legs over your head. She
    squeaks, coyly, ‘Yes, right there, dig into it, I like
    seeing those legs shake—now it’s really getting
    juicy—that’s it, you look so-o-o- good, you look
    a-ma-zing, yes!!!!!!’ ”
    THE 60-SECOND BOOK EXCERPT
    ‘TRICK MIRROR’
    Jia Tolentino’s essay collection
    is out August 6 (Random House).
    SOLUTION TO LAST ISSUE’S PUZZLE
    R I F F S M I L A S A V E B A R A K
    O N E U P I M I N T M E N E L E N A
    L O N G I S L A N D H O U N D A S T I R
    E N D U R A N C E O R S O M A T E
    A R E R A K E M I C H I G A N
    D I W A L I C O O R S S H O T
    I C A N F A R A D D O R I G H T B Y
    C O N G O R A V E R M A R A C A R E A
    K N E E P A D S P E R S I A N G U L P
    L E N S S N A R K E R I S L A
    R E D I N K S T I N G E R S H U T I T
    A L E C S H A H E E N B O O S
    P A N A M A C A B A L F E R R E T E D
    I T E O T E L L O W A L D E N P W N D
    D E B U T A N T E B E N E S P I N A
    S I R I G L A N D C H E N E Y
    P A C I F I C O L E A N C H U
    A V O N H I F I S C R I B B L E D
    R I N G O S A N F R A N C I S C O Y A Y
    T O G U P U R G E L I C E A R O S E
    S N A P S N E O N A P P S P A N T S
    ADVANCED FORM
    TRANSMITTED rev1
    ____ COPY DD AD PD EIC
    1619CR_ToDo_lay [Print]_35541123.indd 72 7/31/19 2:45 PM
    where Americans are no longer manipulated by
    racist ideas, where black lives matter.” Here, his
    take on what an anti-racist society would look
    like. Catch Kendi in conversation at Judson
    Memorial Church.
    TV

  8. (^) Wat ch
    The Terror: Infamy
    Feel-bad television.
    AMC, August 12.
    Season one of The Terror watched as thecrewof
    two 19th-century English exploratory shipswere
    done in by disease, accidents, and a mysterious
    beast. Season two is set in the WWII-era Japanese
    internment camps, with an internationalcast
    (headed by Derek Mio and George Takei, whowas
    an inmate in the camps as a child) beingstalked
    by, well, a metaphor, probably. m.z.s.
    MOVIES

  9. (^) See The Princess
    and the Frog
    Bring back the animation.
    Netflix.
    The recent “photorealistic” version of TheLion
    King might be a hit, but its soulless,nature-doc
    quality has left many of us hankering forthelumi-
    nous colors and warmth of some old-fashioned
    Disney animation. The Princess and theFrogwas
    one of the company’s last traditionallyanimated
    feature releases, and also one of themost over-
    looked. The offbeat romance, combinedwith
    lovely New Orleans atmosphere andsomedaz-
    zling phantasmagoric sequences involvingvoo-
    doo spells both good and bad, all remindusof
    what the studio once did so well.
    POP MUSIC

  10. (^) Listen to
    The Center Won’t Hold
    “I need something pretty.”
    Mom + Pop Music, August 16.
    Olympia, Washington, punk-rock groupSleater-
    Kinney’s ninth album is a daring changeofcourse
    that cost them a drummer—the talentedJanet
    Weiss walked because she didn’t digthenew
    direction. But Center’s delightful soulandgirl-
    group aesthetics, aided by productionfromSt.
    Vincent, helped craft a record worthy oftheband’s
    airtight back catalogue. c.j.
    TV

  11. (^) Wat ch They Ready
    We are.
    Netflix, August 13.
    Mixing daffy boldness with a deep generosityof
    spirit, Tiffany Haddish has proved herselfa bea-
    con of light in an often sour industry.Shetucked
    Girls Trip into her back pocket andskippedoff
    with it, and charmed David Lettermansothor-
    oughly that she had him working in herbackyard
    garden. Now she’s moved up to beinganimpre-
    sario and promoter, helping other African-Amer-
    ican women comics by showcasing theminthis
    series of half-hour specials. Her initiallineup
    includes Chaunté Wayans (Wild ’n Out) and April
    Macie (Last Comic Standing). m.z.s.
    MOVIES
    23 .SeeThemThatFollow
    ThestoryofHopeSlaughter.
    Intheaters.
    DidyouknowtherearestillEvangelicalchurches
    inwhichmembershandlepoisonoussnakesand
    regardthemselvesasspirituallypureif they’renot
    bitten?Me neither, butyouhearaboutthemwhen
    somepreacherlosesanarm(ora life),andnow
    there’s a fictionalfilm,Britt PoultonandDanMadi-
    sonSavage’sThemThatFollow,thatletsyouwatch
    thempray, getbitten,andbedirectedtoexpelthe
    poisonundertheirown(andGod’s)power. Walton
    GogginsandOliviaColmanstar. d.e.
    PODCASTS

  12. (^) Listen to
    The Last Days of August
    Ahead of the last days of August.
    Audible Originals.
    In this true-crime podcast, Jon Ronson and Lina
    Misitzis focus on the mystery around adult per-
    former August Ames’s suicide. Vulture’s Nicholas
    Quah lists it among the best podcasts of 2019.
    “What starts off feeling like what could possibly
    be another rote exercise in true crime eventually,
    and elegantly, evolves into a portrait of loneli-
    ness,” he writes.
    POP MUSIC

  13. (^) See Miyavi
    No sleep till Tokyo.
    Sony Hall, August 19.
    Although his stage presence nowadays is less
    Dark Crystal crashes the Palace of Versailles, the
    “Samurai guitarist” Miyavi still has an electric
    onstage persona and puts on an incredible show.
    Well known in Japan since the early aughts for his
    unique, lightning-fast guitar-slapping style, he’s
    worth seeing, even if you don’t know Japanese.
    “Barreisa bizarrelyandclinicallyeroticized
    experience.Thisis partlybecauseofthemusic:
    barreoffersyoutheopportunitytorepeatedly
    clenchyourleft butt cheekina roomfullof
    womenexperiencingmute,collective,seven
    A.M.agonywhilelisteningtoanEDMsong
    aboutbanginga strangerat theclub.Butthere’s
    anaspecttoa barreclassthat actuallyresembles
    porn,specificallya casting-couchvideo.It places
    you,theexercise-seeker,inthepositionofthe
    youngwomanwhois ‘auditioning’oncamera.
    Your instructoris thethirdparty,a hotwoman
    whotellsyoutoswitchpositionsevery thirty
    secondsandkeepyourlegsoveryourhead.She
    squeaks,coyly,‘Yes,rightthere,digintoit,I like
    seeingthoselegsshake—nowit’s reallygetting
    juicy—that’sit,youlookso-o-o-good,youlook
    a-ma-zing,yes!!!!!!’”
    THE 60-SECOND BOOK EXCERPT
    ‘TRICK MIRROR’
    Jia Tolentino’s essay collection
    is out August 6 (Random House).
    SO UTION TO AST ISSU ’S PU
    R I F F S M I L A S A V E B A R A K
    O N E U P I M I N T M E N E L E N A
    L O N G I S L A N D H O U N D A S T I R
    E N D U R A N C E O R S O M A T E
    A R E R A K E M I C H I G A N
    D I W A L I C O O R S S H O T
    I C A N F A R A D D O R I G H T B Y
    C O N G O R A V E R M A R A C A R E A
    K N E E P A D S P E R S I A N G U L P
    L E N S S N A R K E R I S L A
    R E D I N K S T I N G E R S H U T I T
    A L E C S H A H E E N B O O S
    P A N A M A C A B A L F E R R E T E D
    I T E O T E L L O W A L D E N P W N D
    D E B U T A N T E B E N E S P I N A
    S I R I G L A N D C H E N E Y
    P A C I F I C O L E A N C H U
    A V O N H I F I S C R I B B L E D
    R I N G O S A N F R A N C I S C O Y A Y
    T O G U P U R G E L I C E A R O S E
    S N A P S N E O N A P P S P A N T S

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