Tatler UK - 07.2019

(Frankie) #1
Behind the screens, life as
an international beauty
influencer isn’t all it seems,
writes Amelia Liana

THE AGE OF

INFLUENCE

Tatler July 2019 tatler.com

T

he sun is setting and
I’m wearing an emerald-
green Maria Lucia Hohan
gown, whizzing down
the Venice Grand Canal in a gorgeous
wooden water taxi. I can see the
camera flashes of the Venice Film
Festival ahead. As we edge closer I
spot Dakota Johnson and Tilda
Swinton glittering in their gowns
on the red carpet and my nerves
start to kick in. I’m escorted off the
boat and as I step onto the red
carpet the photographers turn the
cameras on to me and start clicking.
In the world of influencers, I am
now a celebrity.
This is a long way from where I
started at Francis Holland and my
internship on summer break from
Nottingham University, packing up
samples in the Givenchy press office,
and checking off names with a clip-
board at events. The term ‘influencer’
hadn’t been coined back then. I had
a beauty blog that I wrote as a hobby
and distraction from my dissertation.
I’d take pictures at the weekend
with my aunt’s digital camera and
post them as a way of connecting
with like-minded beauty junkies.
My very first YouTube post was
about how to do your make-up
like Kim Kardashian. Within a
week my channel had hit 10,000
subscribers, which was crazy. Now I
have over a million across different
social platforms.
I’m not alone. Over the last five
years, there’s been startling growth
in the influencer sector, and Forbes
predicts that it will swell to a $10
billion industry within the next

five years. Kylie Jenner commands
up to $1 million a post. Serious
influencers will make anything from
£1,000 to £10,000 a post, and I
fall into this bracket – although,
like most normal people, I’m
reluctant to disclose my salary. But
I will say this: it’s a lot more work
than people think. The majority of
well-established beauty influencers


  • or ‘creators’ as we prefer to be
    called – are running slick, well-oiled
    operations. It’s a constant effort to
    ensure that work is always being
    produced and our audiences remain
    engaged. Sometimes I work seven
    days a week until midnight.
    What might seem like a carefree
    Instagram snap on a beach has actually
    taken 350 shots to achieve. People
    ask things like ‘so what do you do
    with the rest of your time?’ But it’s
    a full-time job and I have a team of
    three people who work with me. It
    might look like I’m always casually
    appearing in glamorous locations
    wearing brand-new outfits with
    flawless make-up, but the content
    is usually planned weeks in advance.
    It’s like a constantly updating reality
    television show.
    Thankfully, my fiancé is pretty
    patient. We’ve been together for
    just over a year now and the other
    day we were heading out and I
    started taking a selfie. I took the
    same shot five times and he looked
    at me and said ‘I still find this odd.’
    He’d better get used to it; my
    audience have been through all the
    changes in my life – I’ve shared
    personal things, such my struggles
    with IBS; I’ve documented break-
    ups and new relationships; and
    now that I’m getting married, I’m
    sharing that journey, too. When I
    meet my followers in the street,
    there’s an instant connection –
    they seem to know me so well. In a
    way, we’ve grown up together.


PHOTOGRAPHS: INSTAGRAM/@AMELIALIANA

ALL THE
WORLD’S
A STA G E
Tatler’s Contributing
Beauty Editor
Amelia Liana’s
glamorous Insta-life

07-19BEA-Influencer.indd 98 29/04/2019 16:16


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