Fohrer’s Quo-vadis.otf font explores the
aesthetic potential of OpenType 1.8, a new
standard from Apple, Google, Microsoft,
and Adobe that allows dynamic, variable
online fonts. Would most like to work with:
Tyler, the Creator. fabianfohrer.comVirgili’s It’s a toy for make believe brought
her interest in stage acting, and the act of
slipping into another character, to the page.
The result is a collection of ambiguous
short stories. Would most like to work
with: Robot cat Doraemon. virgili.deIntramonde is a graphic-led exploration
of quantum physics, using an algorithm
to generate different layouts for every
copy. Would most like to work with:
Anyone from scientific institutions to high
fashion brands. thomasleprovost.comInterstellar communication is the
underlying theme of Hutchings’ Processes
of Translation. The graphic elements are
distillations of complex messages into
otherworldly forms. Would most like to
work with: Elon Musk. benhutchings.co.ukA space frozen in a moment in time
forms the basis of Kaspar’s Persephone
project, an abstract photographic journey
through a series of dream-like sets
and stills. Would most like to work with:
Kim Gordon. [email protected]Enderby raises questions about the ethics
of photography with this children’s blanket
featuring a pattern derived from Twitter
data about the drowned Syrian refugee
Alan Kurdi. Would most like to work with:
Unicef, Raw Color. hannahenderby.comFABIAN FOHRER
Konstanz University of Applied
Sciences, Germany01 FRANCI VIRGILI
Yale University School of Art,
USA02 THOMAS LE PROVOST
ECAL,
Switzerland03
BEN HUTCHINGS
Central Saint Martins,
UK04 VERA KASPAR
Zurich University of the Arts,
Switzerland05 HANNAH ENDERBY
Kingston University,
UK06
ILLUSTRATOR: JULIEN SAVIOZ WRITER: JONATHAN BELL01
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