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RETAINING ORIGINALITY
Vespa stainless
legshield surrounds
One problem that occurs when restoring scooters – in
particular, old Vespas – is the availability (or lack of)
suitable replacement spare parts for particular models
T
he subject of this article covers the
stainless steel trims associated with
the Vespa models tabulated below.
These trims were fitted by the manufacturer
to certain Vespa models and varied over the
years in their type, material and construction.
THE PROBLEM
The 1963 GS160 is a classic Vespa model that
utilised stainless steel trims and, as they were
often dispensed with after being damaged, the
GS in question was lucky to still retain the original
complement of trims. These trims had however,
seen better days and were extensively damaged
with localised areas of denting, deformity and
scraping.
Sadly, new old stock replacement items of trim
are, to a great extent, a thing of the past and it’s
not helped by the fact successive Vespa models
had differing legshield profiles which required
dedicated surrounds to match. In fact, so hard
to find are these trims that one side of a set of
trims (they’re supplied in two halves) recently sold
on an online auction site for £150. Replacements
are available in chrome-plated steel, but these
are visibly different to the originals, tend to
scratch the paintwork on fitting and (obviously)
are prone to rusting, so tend to be a fitment of
last resort.
CAN TRIMS BE REPAIRED?
Any repair of an item so unusual needs to be
undertaken by a trusted artisan with knowledge
of the part and its final intended use.
This makes the field of choice narrow; but
there is at least one possibility and that’s to
try your local chrome plater. Chromers are
often faced with varying assortments of often
twisted metal that eager owners wish to be
magically transformed into exact replicas of
the original, undamaged part. Easy enough to
do in theory, but far from simple in practice.
Over the years chrome platers have developed
a number of cunning tools and ploys to repair
varying types of metal to replicate their original
form; this has become a much-focused art form
of the highest order. The tools used are basic and
consist of various types of often purpose-made
panel beating hammers and polished anvil plates
to support the ‘tin bashing’, but needs must to
PROBLEM
SOLVER
Trims strappedto chassis back
Trims strapped to chassis front