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NOW
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G
rab a free ticket in the welcome
center, where an interactive
map puts three centuries of
local architecture at your
ngertips, then head upstairs to the French
Quarter Galleries, which chart the area’s
evolution through a variety of groupings.
Among the highlights is a copy of the
1727 Code Noir, a miniature of Clark Mills’
sculpture of Andrew Jackson on horseback,
a chess set owned by 19th-century child
prodigy Paul Morphy, a 1950 panel cover
from the Desire streetcar and an annotated
script from Tennessee Williams’ “A Street-
car Named Desire.”
e permanent display leads to a rotat-
ing exhibit space, which currently features
“Art of the City: Postmodern to Post-Ka-
trina,” an overview of contemporary Cres-
cent City artists. Standouts include Gina
Phillps’ stitched portrait of Fats Domino,
Hannah Chalew’s three-dimensional street
scene and Jason Poirier’s eerily lifelike
mannequin of the late Ernie K-Doe.
Good thing there’s a courtyard café;
you’ll want to refuel before crossing the
street to explore the HNOC’s equally free
Louisiana History Galleries. http://www.hnoc.org
Where Old Meets New
©(TOP) ©MELISSA CARRIER; (CENTER) ©ELI HADDOW; (BOTTOM) ©HNOC
“Head
upstairs to
the French
Quarter
Galleries,
which chart
the area’s
evolution.”
20 WHERETRAVELER® NEW ORLEANS JUNE 2019
e old Vieux Carré welcomed a spanking new museum in April, with the
long-awaited arrival of the Historic New Orleans Collection’s state-of-the-art
campus at 520 Royal Street. e $38-million facility adds more than 35,000
square feet to the HNOC’s French Quarter footprint and breathes fresh life into
the circa-1816 Seignouret-Brulatour building.
SEIGNOURET-BRULATOUR BUILDING
EDUCATION GALLERIES
“ART OF THE CITY”