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Tom Barrack’s route to
becoming one of the most in-
fluential people in America
has been to help everyone he
could, and ask for little in re-
turn.
As a private equity in-
vestor, Barrack appeared to
break every rule. The found-
er of Colony Capital let
wealthy friends in on lucra-
tive deals, such as the take-
over of the Miramax film em-
pire, which he completed
with “The West Wing” star
Rob Lowe. He kept celebri-
ties out of bankruptcy, help-
ing Michael Jackson avoid
eviction from his Neverland
ranch, and coming to the aid
of photographer Annie Lei-
bovitz. When Harvey Wein-
stein fell from grace amid al-
legations of serial sex abuse,
Barrack tried to buy his
movie studio.
His talent for sealing
property deals cemented
lasting associations with ev-
eryone from Middle Eastern
royals to a flamboyant New
York real estate developer
on course for high office.
Since Donald Trump be-
came president, Barrack
has enjoyed a direct line to
Washington, capping a
three-decade career in
which he shuttled by private
jet among real estate deals
and a California estate
where he makes wine and
plays polo. “Karma really
works,” Barrack said some
years ago. “It works, eventu-
ally.”
But karma cuts both
ways, and last week a con-
gressional report identified
Barrack as a key figure in a
raft of initiatives that “virtu-
ally obliterated the lines nor-
mally separating govern-
ment policymaking from
corporate and foreign inter-
ests.” Drawing on private
emails and text messages
with business executives, di-
plomats and White House
insiders, including Trump’s
Trump ally’s many dealings under scrutiny
TOM BARRACKchaired President Trump’s inaugural committee. He has en-
joyed a direct line to Washington and beyond after years of doing favors and deals.
Brian van der BrugLos Angeles Times
Congressional report
says Tom Barrack
crossed lines with his
private diplomacy.
By Mark Vandevelde
[SeeBarrack, C6]
Walt Disney Co.’s pur-
chase of 21st Century Fox
was meant to help the enter-
tainment giant transform
itself for the streaming fu-
ture. But the newly acquired
Fox businesses have caused
some early challenges for the
Mouse House.
Disney earnings fell well
short of Wall Street esti-
mates in the third quarter,
dropping 28% from a year
ago, partly because of the
worse-than-expected per-
formance of Fox assets, in-
cluding the movie studio
that produced the recent
box office flop “Dark
Phoenix.”
Burbank-based Disney
also continued to spend big
on streaming services such
as Disney+, which the com-
pany believes is key to its
ability to compete for years
to come. The firm also took
full operational control of
money-losing streaming
platform Hulu, which fur-
ther eroded profit.
Disney is spending heav-
ily on streaming services
ESPN+ and Disney+, which
is expected to launch in No-
vember. On a call with ana-
lysts, Disney Chief Execu-
tive Bob Iger said the com-
pany will offer consumers a
bundle of Disney+, ESPN+
and a version of Hulu for
$12.99 a month.
Disney earned $1.35 a
share on revenue of $20.
billion during the quarter
that ended June 29, the com-
pany said Tuesday. That
compared with $1.87 a share
on revenue of $15.23 billion
during the same period last
year.
Analysts had predicted
earnings of $1.72 a share and
sales of $21.45 billion in the
quarter.
Disney shares dropped
as much as 5.8% in after-
hours trading after the earn-
ings report was released.
The shares closed Tuesday
at $141.87, up 3% for the day
and about 30% this year.
The results reflected the
first full quarter of earnings
since Disney completed its
DISNEY’S
PROFITS
FALL 28%,
MISSING
TARGETS
Newly acquired Fox
assets damp results as
company continues to
invest in streaming.
By Ryan Faughnder
[SeeDisney,C3]
When Paris-based luxury
conglomerate LVMH an-
nounced its new partner-
ship with Stella McCartney
last month, many of the spe-
cific details were kept under
wraps, but one of the biggest
— specifically what made
the eco-conscious, London-
based fashion designer an
attractive partner in the
first place — was not one of
them.
“A decisive factor was
that she was the first to put
sustainability and ethical is-
sues on the front stage, very
early on, and built her
[h]ouse around these is-
sues,” LVMH Chairman and
CEO Bernard Arnault said
in the announcement. “It
emphasizes LVMH Group’s
commitment to sustainabil-
ity.”
That move came on the
heels of last month’s Ralph
Lauren announcement of a
slate of ambitious do-gooder
goals including using 100%
sustainably sourced key ma-
terials by 2025, increasing fe-
male representation in fac-
tory management by 25% in
the same time frame, and
having greenhouse gas re-
duction targets in place by
the end of next year.
The month before that, it
was French luxury group
Kering — a partner in Mc-
Cartney’s label until early
last year — making head-
lines with the announce-
ment that its fashion houses
(Gucci, Balenciaga and
Saint Laurent among them)
would only hire models age
18 and older for its runway
shows starting next year.
Also in May, Prada and the
Humane Society issued a
joint statement declaring
that the Italian luxury
DESIGNERStella McCartney acknowledges the audience at her show in Paris in March. She has a new part-
nership with luxury conglomerate LVMH, which said the deal emphasizes its “commitment to sustainability.”
Philippe LopezAFP/Getty Images
High fashion gets woke —
with some help from Gen Z
Fur is out, social causes are in as chic brands court young buyers
By Adam Tschorn
BRANDShave embraced social justice and other
on-trend causes. Above, viewers attend a 2013 show.
Stephen LovekinGetty Images
[SeeFashion,C5]
The most
perplexing
aspect of our
current de-
bate over
healthcare
and health
coverage is
the notion
that Ameri-
cans love their health insur-
ance companies.
This bizarre idea sur-
faced most recently in the
hand-wringing over propos-
als to do away with private
coverage advocated by
some of the candidates for
the Democratic nomination
for president. Oddly, this
position has been treated as
a vote-loser.
During the first round of
televised debates on July 30
and 31, only four of the 20
candidates raised their
hands when asked if they
would ban private insurers
as part of their proposals for
universal coverage: Sens.
Elizabeth Warren of Massa-
chusetts, Bernie Sanders of
Vermont and Kamala Har-
ris of California, and New
York Mayor Bill de Blasio.
Harris later backed away,
releasing a “Medicare for
all” proposal that would
accommodate private insur-
ers at least for the first 10
years.
She should have stood
her ground. The truth is
that private health insurers
have contributed nothing of
value to the American
healthcare system. Instead,
they have raised costs and
created an entitled class of
administrators and execu-
tives who are fighting for
their livelihoods, using
customers’ premium dollars
to do so.
“Health insurers have
been successful at two
things: making money and
getting the American public
to believe they’re essential,”
says Wendell Potter. He
should know, since he spent
decades as a corporate
communications executive
in the industry, including
more than 10 years at Cigna.
The insurers’ success in
making themselves seem
essential accounts for the
notion that Americans are
so pleased with their private
coverage that they’ll punish
any politician who dares to
take it away. But the Ameri-
can love affair with private
insurance warrants close
inspection.
Let’s start by examining
what the insurers say are
their positive contributions
to healthcare. They claim to
promote “consumer choice,”
simplify “the healthcare
experience for individuals
and families,” address “the
burden of chronic disease”
and harness “data and
technology to drive quality,
efficiency, and consumer
satisfaction.” (These claims
all come from the website of
the industry’s lobbying
organization, America’s
Health Insurance Plans.
They’ve achieved none of
these goals. The increas-
ingly prevalent mode of
health coverage in the group
and individual markets is
the narrow network, which
shrinks the roster of doctors
and hospitals available to
enrollees without heavy
surcharges. The hoops that
Let’s end
private
health
insurance
MICHAEL HILTZIK
[SeeHiltzik,C4]
Real estate firm
buys studio site
The Manhattan
Beach deal expands
Hackman Capital’s
production assets. C
Credit card
rates at a high
Cardholders are
paying the steepest
rates in 25 years, and
a Fed cut may not
bring much relief. C