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MATERIALS
- ½ –1 yard prepared for dyeing (PFD) fabric or a
neutral quilting cotton - ½ yard muslin
- Synthrapol®
- Plastic sheeting
- Gel printing plate (I use one from Gelli Arts™) or a
piece of Plexiglas® - 2 brayers—1 for paint, 1 clean for rolling on fabric
- Th in cardboard, such as a fi le folder
- Fabric paint in a variety of colors (See “Note on
Paints.”) - Paint palette
- X-acto® knife
- Paper towels
- Spray bottle of water
Optional - Baby wipes (to clean the printing plate)
- Supplies for adding texture such as an old
toothbrush, stencils, thread, a comb, cotton swabs - Hand-stitching thread
by Ana Buzzalino
Monoprinting
Sophisticated
with Stencils and Masks
d
iscover a world of possibilities
with this monoprinting
technique that gives you the ability
to print any shape you’d like. A
monoprint is a one-of-a-kind print, so
each will be unique.
My friends can confi rm: I’m crazy about
rocks, pebbles, and stones—so those are the
shapes I’ve been using—but any shape will do.
For variety, think uneven triangles, thin lines,
and rounded rectangles, or any shape that
catches your attention. The irregular nature of
my shapes comes from using stencils and masks
together in the same print. Read on and I’ll
show you how!