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STAGE 9
THE SWAN’S BODY
I painted the left wing wet-on-
wet to keep the feathers soft
and used quinacridone gold
toward the sun and cool blues
on the shadow side. I began to
adjust areas of the background
water with more glazes.
STAGE 10
DEFINING FEATHERS
I used mixes of quinacridone gold
and pyrrol scarlet as an under-
glaze for the warm areas of the
feathers. I added definition to
the feathers with darker shades
of the earlier colors and indigo
for darker shadows.
STAGE 11
ADDING
DEPTH
I continued to
adjust values on
the swan where
needed, sometimes
lifting color off or
adding more to give
the feathers form.
The leg of the swan
was painted using
ultramarine deep
and burnt umber.
wallpaper
(WallPaper)
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