International Artist – June-July 2019

(WallPaper) #1
Discovering Art 139

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O


ne day I went to this
little bay in the evening
and was captivated by the
beautiful variety of different
colors reflecting in the water
from the bathers enjoying an
evening dip.
Note the key discovery of

dark accents. In the detail,
you can see that I have
layered thick brushstrokes
over a thin dark under-wash.

I deliberately left a few dark
patches showing. This creates
a series of dark accents that
give depth to your painting.
Another key discovery is
multi-colored brushstrokes. You
don’t have to always fully mix
the paint. If you pick up a
few colors together on your
brush and leave them a little
unmixed, you end up with a
much more interesting paint
surface. It’s a little tricky
though because you can easily
get out of control. Leave this
technique until you are a bit
more experienced!
The water in general is a
greenish-gray color. But look
at the detail. It is anything
but a single gray color. There
are blue-grays, green-grays,
violet-grays, browns and a
few patches of yellow green

and light blue. This adds
liveliness to the painting that
you would lose if you blended
too much. The secret here is
to keep the value of all the
patches very close together.
The beauty of paint is
often in the brushwork. Too
many painters lose this by
over blending, and end up
with a painting that looks
like a photograph. Leave
your brushwork visible and it
will take your art to a whole
new level.

To learn more
» For more information on how to create exciting brushwork, see
the Virtural Art Academy® Apprentice Program Workshop G.

Key Discoveries in Practice: Day at the Beach


Italy Fiascherino -
Day at the Beach,
Lerici, 23 x 30 cm
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