International Artist – June-July 2019

(^78) http://www.InternationalArtist.com
WHAT THE ARTIST USED
Oil paints
» Alizarin crimson
» Amethyst
» Brilliant pink
» Brown ochre
» Burnt carmine
» Burnt sienna
» Cadmium golden yellow
» Cadmium orange
» Cadmium red
» Cadmium red deep
» Cadmium red light
» Cadmium yellow
» Cadmium yellow deep
» Carmine
» Chromium oxide green
» Cobalt green deep
» Deep purple
» Magenta quinacridone
» Manganese violet
» Naples yellow
» Naples yellow deep
» Naples yellow light
» Orange ochre
» Pale violet
» Permanent orange
» Permanent red deep
» Permanent sap green
» Prussian blue
» Scarlet lake
» Ultramarine deep
» Ultramarine violet
» Warm white
» Yellow lake deep
» Yellow ochre light
» Yellow ochre
Brushes
» Nos. 0-6 sable rounds
» Nos. 0-4 sable riggers
» Nos. 0-6 rigger and fl at head in
medium stiff ness
Canvas
» Oil primed linen canvas,
medium tooth
» Stretcher bars - tulipwood
Additional supplies
» 2H pencil
» Paper
» Rubber
» T-squares
» Ruler
» Palette knife
» Glass palette
» Liquin
» Stand oil
» Turpentine
» Retouch varnish
H
ere is a brief evolution of emerge, an oil painting on canvas, measuring 67
by 150 centimeters, completed in 2018. I begin with the drawing stages
and end at the  nished product.  ese images I provide give a run through of my
general practice. I use a few paint mediums that all use turpentine, liquin and
stand oil. I tend to use a 60 percent turps and 20 percent liquin and stand oil,
or 50 percent turps and 25 percent liquin and stand oil. Sometimes the painting
medium is made thinner or thicker depending on how many layers I paint.
My Art in the Making emerge