108 http://www.digitalcameraworld.com
SUPERTEST
Centre Middle Edge
Sharpness
f/1.2f/1.4 f/1.8 f/2 f/2.8 f/4 f/5.6 f/8 f/11 f/16 f/22
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CANON EF 85mm
f/1.2L USM II £1849/$1899
It’s certainly not your average L-series lens,
but is it really something special?
deal if you want to focus
all of the attention on the
eye, even if the rest of a
portrait sitter’s face goes
soft, this lens delivers an
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f/1.2 aperture, the front group
of elements need to have a
wide diameter. Since these
large and weighty elements
also move forwards and
backwards for focusing, AF is
slow. Even so, AF speed is
better in this Mark II edition,
compared with the original.
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ultrasonic AF system, the
manual focus ring is coupled
electronically, rather than
mechanically. It’s a clever
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accurate focusing is highly
critical with such a tight depth
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ring’s electronic encoder
enables greater precision for
manual focusing than in the
majority of AF lenses.
Although build quality is of
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Weighing in at 1025g, it’s
slightly heavier than the
Canon f/1.4, but less heavy
than the Sigma.
Performance
Sharpness is mediocre when
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the centre, but picks up well
when reducing the aperture by
small amounts to f/1.4 and
f/1.8. Bokeh fringing is visible
when shooting wide, around
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against defocused areas.
When stopping down, the
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more pronounced octagonal
shape to defocused points of
light than the Canon f/1.8.
FEATURES
VERDICT
01
The large, heavy
front elements move
forwards and
backwards for
focusing.
02
The Super Spectre
coatings are
relatively basic by
the latest standards.
03
The focus ring is
electronically
coupled.
04
Based on eight
diaphragm blades,
the aperture isn’t
that well-rounded.
05
Unlike most Canon
L-series lenses, it’s
not weather-sealed.
FEATURES
BUILD & HANDLING
PERFORMANCE
VALUE
OVERALL
01
02
03
I
PEOPLE IN ISOLATION
Shrinking the depth of field enables you to
isolate your subject by blurring the background
he ‘bokeh’, or pictorial quality of defocused
areas isn’t just about the tightness of DoF.
The design of the lens and the quality of its
elements are critical in delivering a smooth nature
to background blur, notably for bright and detailed
defocused spots. A well-rounded diaphragm helps
retain the quality of bokeh when stopping down.
Even so, depth of field is a critical component.
T
04
05
f/^1.^2 f/^1.^4