WRITER: JONATHAN BELL
‘From our irst conversation with the client,
we thought this would be a conventional
weekend house,’ says architect Fernanda
Canales of Casa Bruma, a remarkable
retreat located just a couple of hours
outside Mexico City. ‘However, when we
visited the remote and rural site, it was
hard to even work out the shape of the plot,’
she continues. ‘There were no markings
and just so much vegetation.’
Canales, who collaborated on the project
with architect Claudia Rodríguez, a former
fellow student who now works with Taller
de Operaciones Ambientales in Mexico
City, realised they needed another strategy.
‘For a start, we couldn’t remove any existing
trees, and it was hard to ind a single
space on the site longer than ive metres,’
she recalls. ‘So we decided to develop the »
DARK AGE
A cluster of blackened concrete pavilions
forms a discreet retreat outside Mexico City
CLOCKWISE FROM BELOW,
THE CONCRETE FAÇADE,
DARKENED WITH A BLACK
PIGMENT; LOCAL STONE
PAVING AND NATURALISTIC
PLANTING IN THE CENTRAL
COURTYARD; THE PROPERTY
COMPRISES NINE PAVILIONS,
SOME WITH GREEN ROOFS,
ARRANGED TO FIT AROUND
THE SITE’S TOPOGRAPHY
AND EXISTING TREES
Photography: Rafael Gamo
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In Residence