A shiny metallic radar reflector is hung below the
sculpture, along with a Pecan Pico 10.b tracker and solar
cell. This enables the sculpture to send live photos and
positioning via APRS radio waves back to the Earth, to
be captured by the team monitoring it from the ground.
Sven Steudte, a specialist in satellite technology,
designed the Around the World sculpture’s tracker and
all the software connected to it, together with another
Aerocene participant, Thomas Krahn. He is monitoring
the path of the device on his laptop, helped by a
community of Polish radio amateurs. Later, at nightfall,
they lose contact with the sculpture, travelling at
12,000m through the lower stratosphere, just east of
Warsaw. ‘It may have dropped to the ground,’ says
Vogler, ‘or it may keep going, circumnavigating the
Earth.’ They will know when someone picks up contact
with it via its radar reflector again, or finds it on
the ground and returns it to the address on its label.
Once the launch has been celebrated and we lose
sight of the prototype in the glare of the afternoon
sun, the team decides to unpack one of the Aerocene
Explorers. Saraceno tows the balloon out onto the lake
in a canoe, ties a couple of GoPros to it and releases
it into the afternoon sky. But heat clouds have now
formed above us, and after a glorious surge, the
balloon sinks gently beyond the far side of the lake,
where it would be retrieved a few hours later with
the help of the general public.
Left, each free flight is documented by a camera and a GPS tracker attached to the sculpture;
right, an ultra-light radar reflector that improves the visibility of the sculpture during flight
Tomás Saraceno: Aerocene