I’mfascinatedby bokeh,lens
flareand starburst.Howcan
I guaranteeto seethese
in-camera effects in my shots?
Sarah Goff, LeicestershireTim says: Lens effects are one of those
wonderful blends of science and art
that photography does so well. Without
gettingintoanythingreallycomplex
intermsof explanations,it’sworth
understandingthattheseeffectsare
a productof thewaythatlensesareput
to getherandhowlightmovesbetween- and is internallyreflectedby – the
 variouspiecesof glassandmetalparts
 ofthelens.As such,theyarevery
 muchaffectedby choiceof lensdesign,
 aperture,focallengthandlighting.
Bokeh
Bokehis recognisedas theartisticwayin
whicha lensrendersout-of-focuspoints
oflight.Gettingbokehis quiteeasy– you
needa lenswitha wideaperture,setto
it s smallestf/number,anda backdrop
withsomehighlightsin it (fairylights
are alwaysa winner).Theout-of-focus
highlightsgiveyouyourbokeh.The
‘q uality’of thebokehis downto thelens- primelensescreatemuchbetterbokeh
 thanzooms,andlenseswithround
 aperturebladesarguablymakenicer
 bokehthanthosewithstraightblades.
Flare
Flareis producedby internalreflections
inthelens,as lightbouncesaroundthe
variouspiecesof glassthatmakeup
yourlens.Manufacturerstryto limit
flareby coatingthelensglasswith
anti-reflectivechemicals,but pointing
a cameratowardsa strongsourceof light- suchas thesun– shouldstillproduce
 flare.Youcanaddflarewhenyou’renot
 fa cingthesunby reflectinglightintothe
 le nswitha shinyobject,suchas a CD,
 heldcloseto thefrontelementof the
 le nsandangledto directthelight.
St arburst
Starbursteffectscanbe producedwith
specialisedfilters,butyourlenscan
createthemnaturallyviainternal
di ffraction.All youneedis a small
aperturesetting– ideallyaroundf/22- and a strongsourceof light.Often
 ni ght-timeurbanscenescanreallybe
 enhancedwithstarbursteffectsfrom
 brightlights.
Above & left Starburst and lens flare effects
need a bright light source in front of the lens.AboveBokehshapeandsizeis affected
bylensdesignandtheapertureused.Know Your Stuff
Is there a guaranteedway to get lens effects?Withphonecamerasnow
capableof takingreally
goodpictures,do we
st ill need‘proper’cameras?
BrianChadwick,PrestonAdamsays:Yoursis a question
th atmustkeepmanycamera
manufacturersawakeat night!It’s
a tr uismthatthebestcamerayou
haveis theoneyou havewithyou,
and,as we all carryphonesthese
days,it is inevitablethatmostof
ustakethemajorityof ourshots
ona smartphone.Indeed,phones
haveeffectivelykilledoff thebasic
compactcameramarket– though
th ere’sstilla placeforthe‘tough’
modelsandthemorehigh-endkit
wi thlargersensorsandpremium
br andnameson them.
But whilephonecameras
continueto improve,noneof them
ri val‘real’camerasin termsof the
qualityof output,andtheystill
don’tdelivertherangeof user
controlthata DSLRorCSCcan
of fer.Interchangeablelenses,
fu ll controlovershutterspeed,
apertureandISO,longexposures- th esearenotoptionson most
 phones.Therearebenefitsto
 beingableto shoot,theninstantly
 edit andshareshotswhenon the
 go,butfortheseriousshooter,
 th ereisn’tyet
 a smartphone
 outthere
 that’s good
 enoughto
 replacea
 DSLRor CSC.
BOKEH
STARBUST FLARE
Why not justshoot on yoursmartphone?