A lifetime
love of birds
and animals
is evident in
the incredibly
detailed
watercolour
and gouache
paintings
created by
this artist.
Paintings
This page
Above left: Long Tailed
Finch
Above right: Olive
Backed Sun Bird
Opposite page
Blue Wrens
PROFILE
20 artist
I
began my journey to painting in 1987 at a
Council of Adult Education watercolour course. At
that stage I had no idea what I wanted to paint,
but felt that being able to create a painting would
be a great creative outlet. I had this misguided idea
that watercolour would be easy. Wrong! While on
the course, I also learnt about gouache, or opaque
watercolour, as opposed to transparent watercolour.
That was a medium that I had never heard of. I tried
various subjects, mainly landscapes, but eventually
settled on wildlife, as I have always loved birds and
animals and felt I could be more passionate about
these subjects. Wildlife presented a problem in that
you have to seek it out. Unlike a landscape, which
sits and waits for you, wildlife doesn’t do that, in
fact in most cases, it actively tries to get away from
human beings. That meant reference material was
required to help get the realism I required. The
reference material comes from a number of sources,
such as magazines, books, videos and my own
photographs. An easy source of reference in the
local zoo, or wildlife park. That will get you started.
A few words of warning about the use of
reference material. Nearly all wildlife artists use
photographs these days. What looks good, or is
acceptable in a photograph, won’t necessarily
look good as a painting. If you are using multiple
photographic references, where there are different
lighting sources, make sure the lighting is
consistent in the painting. Don’t use other people’s
photographs, unless you have their permission, or
substantially change things. There are professional