ANDY WARHOL
ABOVEAndy
Warhol,Green
Coca-ColaBottles,
1962,acrylic,
screenprintand
penciloncanvas,
210x145cm
5
CROPFORIMPACT
Photographywascentralto
AndyWarhol’spractice.Heusedit
extensively,whetherappropriating
imagesfrommagazinesforhis
screenprintsofmakingportraitsof
peoplearoundhiminhisFactory.
However,whenit comestohis
paintings,it is importanttorecognise
theinfluencethatphotographyalso
haduponhisapproachto
composition.Whenfocusingona
singlesubject,particularlya figure,
Warholalwayschoseveryclosely
croppedpictures.Thisis successful
forseveralreasons.
Firstly,it addsimpact,tyingin
nicelywiththeloudcolourscheme
andlargescale.It alsosuggestsan
intimacywitha subject,something
thatis particularlycompellingwhen
heis dealingwithotherwise-
unattainablestarssuchasElvis
PresleyorDebbieHarry.
6
TESTCOLOUR
COMBINATIONS
Warholis famedforhisbright,candy
shop colours, though it is telling that
there is not one combination that
defines his art. He was playful with
his approach, yet also studied the
work of the colour psychologist
Faber Birren.
In a rare interview with the BBC’s
Edward Lucie-Smith in 1981, Warhol
was asked what the “right” colours
were and how he knew which they
were? “I don’t know,” the Pop Artist
replied softly. “After you finish it, you
know which are right.”
While this might seem like a
typically elusive, non-response from
the reluctant artist, it is also very
telling. He knew about the effects
certain colours would have on people
from Birren, yet how they combined
artistically was still very much a
personal response.
1964’s Flowers is one composition,
borrowed from a magazine photo of
hibiscus blossoms, that Warhol
reworked in a number of colourways.
Of course, screen printing is a
process that allows an artist to test
combinations rather more quickly, yet
artists working in other mediums can
get around this.
If you’re working in other media,
it is still possible. Make a thumbnail
sketch of a subject and make copies
of it either with a photocopier or
simply drawing it out several times.
Test different schemes on each copy
before you begin a final work.
7
KEEP MAKING ART
Ignore the critics. While none of
us are ever likely to reach the ubiquity
of Andy Warhol, whose work
reportedly accounts for one-sixth of
all contemporary art sales, this is an
important point in a wider sense.
Criticism can come from art tutors,
family members, or even yourself.
Learning to deal with it and carry on
regardless is an important process.
Persistence matters in this respect.
Warhol was forever making pictures
and trying new things, which enabled
him to focus on creativity instead.
“Don’t think about making art, just get
it done,” he said. “Let everyone else
decide if it’s good or bad, whether
they love it or hate it. While they are
deciding, make even more art.”
Andy Warhol runs from 12 March to
6 September at Tate Modern, London
SE1. http://www.tate.org.uk
© 2019 THE ANDY WARHOL FOUNDATION FOR THE VISUAL ARTS, INC/ARTISTS RIGHT SOCIETY (ARS), NEW YORK AND DACS, LONDON