BY MCKENZIE GRAHAM
Portrait
& Figure
CATEGORY WINNERS
FIRST PLACE
Jia Wei
Although Jia Wei, of Beijing, China,
enjoys participating in the historic
tradition of painting self-portraits,
he considers each of his works to
be self-reflective in its own way.
“I think the self-portrait is a worthy
genre,” he says. “Master artists, such
as Van Gogh and Rembrandt, have
painted self-portraits, but in my
opinion, no matter what you draw,
you draw yourself.” Most of Wei’s
works are self-portraits, portraits
or figures. “I like to draw people and
paint from life,” he says. “Many of
my works are about people and the
scenes around me.”
Figure & Portrait Category Juror
Cuong Nguyen picked up on the
historical references in Wei’s win-
ning piece, Self-portrait. “I think the
artist has successfully combined
classical art with a modern sensibil-
ity in his self-portrait,” Nguyen says.
“There are many factors that make
this a winning painting: a powerful
composition, a beautifully muted
color palette, translucent skin tone
and especially the artist’s expression.”
The color palette is mostly thanks
to Wei’s habit of working in front of
the mirror. He finds that the colors
are far better than what shows up in
a photo, although the background is
simply the color of the paper. The art-
ist uses Yicai sanded paper, produced
by the Ming Gallery of Art.
Wei, who’s also an architect,
struggled with what to include in the
Self-portrait (30x20½)
by Jia Wei
62 Pastel Journal APRIL 2020