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HerpaintingsreferencingPortuguese
PrimeMinisterAntóniodeOliveira
Salazar’ssystematicrepressionduring
the1960shaveneverbeforebeen
showninScotland.Lesstopicalworks
includepaintingsthatfocusonRego’s
childhoodinPortugalthatwere
inspiredbyhermemoriesandexperi-
encesduringthattime.
Theexhibitionwascuratedby
CatherineLampert,a personalfriend
oftheartistformorethan 30 years,
a distinguishedarthistorianand
formerdirectoroftheWhitechapel
Gallery,London.Lampertand
AmericanwriterandnovelistKate
Zambrenocollaboratedtopublisha
newbookonRego,alsotitled“Paula
Rego:ObedienceandDefiance.”
SimonGroom,directorofmod-
ernandcontemporaryartatthe
NationalGalleriesofScotland,said,
“We’redelightedtobeshowingthis
majorbodyofworkbyoneofthe
world’smostextraordinaryartists.
Overthecourseofherlifetime,Rego
hasshownherselftobeanunflinch-
ingwitnessofhertime,andoneof
themostimaginativeandcompelling
image-makersofhergeneration.”
Untitled No. 4 (1998;
pastel on paper,
43⅓x392⁄₅)
by Paula Rego
PRIVATE COLLECTION.
©PAULA REGO, COURTESY OF
MARLBOROUGH, NEW YORK
AND LONDON.
“Paula Rego: Obedience and
Defiance” previously showed at MK
Gallery in Milton Keynes, England,
and will travel to the Irish Museum
of Modern Art, in Dublin. PJ
nationalgalleries.org
6 Pastel Journal APRIL 2020