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paintings,wasa focalpointatGiverny.ÉdouardManet
(French,1832–83),a moreurban-orientedfriendofthe
artist’s,paintedsomeofthemostlusciousflowersdepicted
oncanvas,thankstohisaccesstohisfriend’sgarden.Before
settlinginGiverny,Monetlivedwithhisyoungfamilyin
Argenteuil.Itwasthere,in1874,thatManetpaintedThe
MonetFamilyinTheirGardenatArgenteuil(page42).
AlthoughthelifeofVincentvanGogh(1853–90)wasn’t
settledenoughforhimtomaintaina garden,hejoinedhis
peersinpaintingenpleinair.HeadmiredCharles-François
Daubigny(French,1817–78),a Barbizonschoolartistwho
kepta garden.AfterDaubignydied,vanGoghspenttimeat
theartist’shomeandpaintedhisoutdoorspace.Later,dur-
inghishospitalization,vanGoghwouldwanderthegardens
oftheSaint-Paul-de-Mausoleasylum.Theartist’sbrilliant
colorandswirlingbrushstrokespairedbeautifullywiththe
gardenasanever-changingsubjectmatter.
TRANSFORMING NATURE
As with Monet’s garden at Giverny, tourists can still visit
the garden of Surrealist icon Salvador Dalí (Spanish,
1904–89) at Casa Salvador Dalí, Portlligat, Spain. Dalí
included the sound of splashing water from the many foun-
tains in his concept when he designed the twisting, terraced
stone walls leading to bizarre sculptures. The design of the
garden reflects the unique style of Dalí’s wildly inventive
paintings and bears his unmistakable hand.
Images of another Hispanic artist, the self-taught and
much-loved Frida Kahlo (Mexican, 1907–54), are prevalent
in Mexico City. Sometimes described as a Surrealist or magi-
cal realist, even though her work draws little comparison
to Dalí, she did draw inspiration from her garden. Kahlo
was born in La Casa Azul, a brilliant, blue-walled house
and garden courtyard in Coyoacán, where she also lived for
The Garden of the
Hesperides
by Frederic Leighton
oil on canvas, diameter
of 66½ -inches
1913: PURCHASED AT CHRISTIE’S