88 | Rolling Stone | February 2020
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Pryce as Pope Francis in The
Two Popes, and Christian
Bale as race-car driver Ken
Miles in Ford v Ferrari. The
age span ranged from Robert
De Niro, 76, expressing the
tragic lessons of a criminal
lifetime in The Irishman to
Roman Griffin Davis, 12,
finding the redemptive pluck
of a child who busts out
of the Hitler Youth in Jojo
Rabbit. The Academy allows
only five nominees in acting
categories. Why?! Nominate
a dozen actors if they merit
it, and only one or two in a
weak year. Get real.
Best Actress
Despite Scarlett Johansson
giving her all in Marriage
Story — ditto Saoirse Ronan
in Little Woman — all the fuss
is about Renée Zellweger
nailing the acting and singing
required to play a fluttering
Judy Garland in her agonizing
final days in Judy. Biopics get
attention: Witness Cynthia
Erivo as abolitionist Harriet
Tubman in Harriet and
Charlize Theron morphing
into TV journalist Megyn
Caption
here corit
audi od
Pedro Almodóvar in Pain and
Glory. The year brimmed
over with knockout male
performances: Adam Sandler
showed his dramatic chops
in Uncut Gems. Eddie Murphy
proved he never lost the
funny in Dolemite Is My Name.
Newcomer George MacKay
roared with potential in 1917.
And megastar Leonardo
DiCaprio excelled as a fading
TV actor (as if ) in Once Upon
a Time... in Hollywood.
Biopics brought out the best
in Taron Egerton as Elton
John in Rocketman, Jonathan
Best Actor
You might say that no actor in
2019 topped Joaquin Phoenix
in Joker, as the virtuoso
reveals the bruised psyche
of a vigilante rising from a
world without empathy. Still,
there’s a solid argument for
a three-way tie, given the
staggering emotional scale
of Adam Driver in Marriage
Story, as a theater director
who nearly breaks on the
bumpy road to divorce, and
a soulful Antonio Banderas
playing a version of his
illness-plagued film mentor
F
EBRUARY IS the month
Oscar issues the final
word on the year in
movies. But is winning one of
those neutered golden boys
really a measure of creativity?
The 92-year-old Academy tra-
ditionally denies its big prize
to sci-fi, horror, comic-book,
and foreign-language films.
And, oh, yeah, Netflix. Only
one woman (Kathryn Bigelow)
has ever won for directing.
People of color always have it
tough. So screw Oscar bias and
let’s celebrate what really cuts
it in 10 major categories.
The Cast of Parasite: Choi Woo-shik, Kang-ho,
Chang Hyae-jin, and Park So-dam (from left)
Raising
the Bar:
J. Lo defies
the odds in
Hustlers.
Banderas
in Pain and
Glory
Tour de Force:
Phoenix in Joker
Double
Threat:
Nyong’o
nails a dual
role in Us.
FORGET OSCAR:
HERE’S TO THE
REAL WINNERS
Take note, Academy — our picks for the truly
groundbreaking films and performers of 2019