62 Artists & Illustrators
FIGURE DRAWING
Ina longsitting,whenthereactionary
processofintuitivelydrawnshort
posesgiveswaytotheebbandflow
ofa sustaineddrawing,youhavetime
toturnyourattentiontoskin.
A lifedrawingis always,inpart,an
exploration– if wealreadyknewwhat
weweredrawing,whywouldweneed
ourmodeltoholdstillforsolong?
Throughmakinga drawingyou
discovernewthingsaboutthemodel,
fromshapesandtexturesthatyou
hadn’tnoticedbeforetocharacterful
detailsontheskin’ssurface– your
drawingbecomesa mapofthis
unchartedterritory,describingthe
topographyandlandmarks.
Yourdrawnmarkscanspeakabout
manythings– fromhatchingorblocks
oftonethatmightdescribethe
shapesoflightandshadow,to
cross-contoursthatcanfeelaround
theform,tomarksthatdescribe the
textureofhair.Totapintothetactile
natureofthesurfaceyoucanuse
linesofskintensiontoinform the
directionofyourmarks.Theywere
initiallymappedbythe19th-century
AustriansurgeonKarlLangerand the
directionsoftensioncanparallel with
theanatomicalmassesbeneath the
skinandthecreasesofwrinkles at
thesurface.
SKIN
Langer’s lines – a map
of skin tension
Mark-making informed
by lines of tension