Airbrush Step by Step – July 2019

STEP BY STEP | Tradition and Modernity

60 AIRBRUSH STEP BY STEP 03/19 E

33

Color study

Here is the finished color study of my second pain-

ting for this article. While small in stature and not highly de-

tailed with its elements, it still begs the question artistically

of what is necessary and to what degree detail needs to be

rendered to pull off a successful painting. It is along these

lines, professionally, that I estimate a job cost. For “X” Euros,

this image would prove to be successful on any petrol tank,

for “X” amount of more Euros I could realize this image in

even more detail and it would still prove to be successful but

to a higher degree of detail and finish. The beauty of this

additive process is that there are multiple stopping points

along the way where one could consider the art to be fi-

nished and resolved. And that resolution usually has a lot

to do with a customers budget. As with the prior photo, at

times I will put my airbrush next to my image to give a view-

er a size of scale.

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Social Media

Here is an image that was

snapped for social media, a part of

what seems to have become such a

normal part of the process of making

art.  A lot of times I try to display my

airbrush as well as the paint I used in

producing an image, it lends  a credi-

bility to the process, answers questions

before they are asked, as well as giving

the manufacturers a nod for quality

products.

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Finals

At this point in my study, I sa-

fely assume that the majority of the

painting has been done aside from fi-

ne-tuning and finer detail work, as well

as softening some of my edges that

break the plane of my circle. I remove

my FBS “Le bleu” masking tape, care-

ful to pull the tape up and away from

the edge of my paint and not toward

my painting causing a potential risk for

pulling up paint.

31

Workhorses

The majority of both of my

paintings were done with the Iwata

HP-CS, and usually finish off my art-

work with an Iwata micron CM-SB. Be-

cause my approach is that of spraying

at a higher air pressure, I can achieve

very thin and crisp lines out of a work-

horse airbrush. I only use my micron for

the last 5 to 10% of a highly detailed

painting.