makingjewellery.com 67
PROJECT
HOW TO MAKE
1
Pink set (opposite)
- Necklace: Condition the white polymer
clay. Cut out thirteen circles from a medium
thick sheet of white polymer clay using the
1.3cm circle plunger cutter. Add a small
amount of Lisa Pavelka’s polybonder to the
bezel connectors and carefully place the clay
circles inside. Use greaseproof paper and your
fi nger to burnish the clay, to ensure a good fi t
inside the bezel connector. - Use the 5mm dottie tool from the Circle
Cutouts set to cut out seven circles per bezel
connector, from the white clay sheet. Roll each
circle into a ball, placing one in the centre of
the bezel connector and the remaining six
around the edge. Press the ball stylus tool into
the centre of each ball and use the cocktail stick
to poke small holes around the edge. - Use a very soft brush to add pink mica
powder to the surface of the clay in each
bezel connector. Follow the manufacturer’s
recommendations to bake the clay and allow
to cool completely. - Varnish the clay in the bezel connectors, using
a polymer clay compatible matte varnish. Once
dry, sparingly apply some Inka Gold in silver over
the surface of the clay, to highlight the texture.
Varnish again to seal the Inka Gold.
- Create twelve beaded eyepins using the
silver-plated textured beads and eyepins. Use
jumprings to connect these between each
bezel connector. Add a hook and eye clasp to
complete the necklace. - Bracelet: Follow Steps 1–4 to create four bezel
connectors and three beaded eyepins. Attach
these together as before to create the bracelet. - Earrings: Create two beaded headpins using
the silver-plated textured beads and the ball
headpins. Follow Steps 1–4 to create two bezel
connectors. Attach the beaded headpins to
the bezel connectors on one side, then add
the silver-plated ear wires to the other side, to
complete the earrings.
Foil set (p69)
- Necklace: Roll out a medium thick sheet
of white polymer clay and cut out a circle
using the large cutter from the Premo cutter
set. Burnish on the Lisa Pavelka oil slick foil
2 3
4 5 6
(search Lisa Pavelka on YouTube for a video
showing foil application), then remove the
backing to leave the foil on the circle of clay.
Set aside for later. Cut out another circle of the
same size and a smaller circle out of the larger
one off -centre, before placing it on the Sculpey
hollow beadmaker.
- Cut out lots of 5mm circles from the white
clay. Roll these into balls and use them to cover
the piece on the Sculpey hollow beadmaker,
texturing them in the same way as in Step 2.
Bake the clay according to the manufacturer’s
instructions and allow to cool completely. - Sand the edge on the underside of the piece
and put a small amount of polypaste along
this edge. Press fi rmly onto the foiled circle
and use the fi ne needle tool or craft knife to
trim the circle to fi t the cured, textured piece.
Bake the whole piece again, according to the
manufacturer’s instructions. Cool completely.
Sand the pendant where the two pieces join
until smooth.
PHOTOGRAPHS: LAUREL GUILFOYLE, ZOË LYNHAM
W
MJ96_P66-69_Delicate Corals SHSF.indd 67 01/07/2016 11:00