Continued on p. 102
earnest donations had sent a message:
People needed Left Bank Books to exist.
Clueless about bookkeeping, taxes,
and management, the new owners took
advice anywhere they could find it.
“We were beautifully naïve,” Leibman
remarks, “and I think it was that naïveté
that kept us going forward.”
Getting bored is not allowed.
–ELOISE
Left Bank was one of the first indies to
regularly bring in authors, and one of
Kleindienst’s favorite readings was an
early one by Cornel West. He spoke, to
an embarrassingly small audience, in
the middle of a raging thunderstorm.
“Everybody was hanging on every
word,” she recalls. Then lightning split
the sky and the computers went down.
She tiptoed downstairs and found the
office flooding, electrical cords sub-
merged. Somehow, she got the com-
puters back up. At the next deafening
crack of thunder, West asked, “Should
we stop?” and all 20 people exclaimed,
“No!” So he kept going, his thoughts
converging in a brilliant climax, and
just as he finished, the storm stopped.
“Right that second,” Kleindienst recalls.
“Like God flipped a switch.”
Celebs staying at the Chase often
dropped in: Tom Baker, better known as
Dr. Who; Tom Hulce, who played Mozart
in Amadeus; the Russian poet Yevgeny
Yevtushenko; Jerry Garcia; Andy Wil-
liams; Gregory Hines. Toni Morrison
read at Left Bank before she won the
Nobel. Larry McMurtry spent hundreds
of dollars there on poetry books.
Former staffer Nikki Whittaker Mal-
ley, whose parents owned an indepen-
dent bookstore in Indiana, remembers
“somebody asking Anthony Bourdain,
who was just unabashedly going after
vegetarians, ‘Aren’t you worried about
offending people who don’t eat meat?’”
She switches to his easy cadence: “‘Nah.
There’s so little protein in their systems
that they’re never going to be able to
defend themselves.’
“When someone has created art
that moved you, you actually already
have a relationship with that per-
son,” Malley says. “It’s just that they
don’t know it. And in those minutes
of meeting them in person, you get
to realize that relationship. You
can connect the person to all the
ideas and emotions that person has
sparked in you. That’s why it’s such
a powerful and delicate experience.
When they are gracious, it makes
their art even more powerful for you.
And if the artist does not have that
kind of generosity and grace, it can
be devastating.”
I make as much noise as I possibly can.
–ELOISE
One of the bookstore’s original
founders, Larry Kogan, had gone
to prison for throwing a firecracker
during an antiwar demonstration at
Washington University. His incar-
ceration was later found uncon-
stitutional. But Kleindienst says
“the Red Squad” of the city police
department—Bomb & Arson—paid
regular visits for years. And in early
fall 1979, a detective called to ask
whether Kleindienst knew where
Mac McCann was.
McCann ran Mor or Les, a lesbian bar
on South Grand that had just been fire-
bombed. The word twining through the
grapevine was that for some inexplica-
ble reason, police suspected that she’d
bombed her own bar.
“I have no idea where she is,” Kleindi-
enst said, taking the long way around the
truth. Then she panicked. The bookstore
was the signup spot for bus rides to the
upcoming National March on Washing-
ton for Gay and Lesbian Rights. What
if the police showed up and seized the
clipboard that held everybody’s name
and phone number? She ran across the
street and thrust the clipboard at Karen
Duffy, owner of Duff ’s Restaurant. “Can
you hold on to this for a while?”
In 1998, after the fatwa against Salman
Rushdie was thought to have been
lifted—though no one knew for sure—
Left Bank invited him to do a reading.
Borders had pulled The Satanic Verses
from its shelves; Left Bank had not.
In 1999, a publicist called to offer
Henry Kissinger, and
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