Creative Machine Embroidery – July 2019

(Joyce) #1

  • Repeat, continuing to align eyelets,
    placing the tab end of the center
    band pieces under the straight end
    of the next center band piece.

  • To strengthen the center of the
    cauldron and cover the backs of
    the brads, cut a 33" length of 12mm
    boning. Wrap it into a circle, over-
    lapping the ends. Working in sec-
    tions, place dabs of glue on and in
    between the prongs on the inside
    of the cauldron. Place the boning
    over the prongs so the edge of the
    boning is even with the inside edge
    where the pieces are joined, over-
    lapping and gluing the ends.

  • Fold an upper rim A piece in half
    lengthwise with wrong sides
    together. Sandwich the cauldron
    upper edge between the rim edges,
    aligning the rim and upper edge
    eyelets. Align the second eyelet of
    an upper band A piece with the first
    set of three aligned eyelets from
    the outside (staggering the band
    and rim will add stability to the
    cauldron). Insert a brad and spread
    the prongs per the center seam.

  • Repeat to fold, sandwich, align and
    secure along the upper edge, end-
    ing with the upper rim B and upper
    band B pieces.

  • To further stabilize the cauldron, cut
    a 27" piece of 12mm boning and
    add it to the inside upper edge over
    the brads per the center seam.

  • To finish the cauldron, load a small
    stiff brush with the metallic wax
    finish, and using a paper towel, work
    the paint into the brush, removing
    the excess. Dry bush over the upper
    bands, center bands and brads.
    Reload the brush as needed until all
    the sections have been dry brushed
    with paint. Begin with small
    amounts of paint, adding more as
    necessary to get the desired look.

    • Allow the paint to dry and then
      spray two or three light coats of
      sealant over the outside of the
      cauldron; allow the spray to dry
      thoroughly.




LOG ASSEMBLY
Note: Assemble the log and flame pieces
before sealing them with acrylic spray.


  • Ensure that the buttonhole at the
    upper portion of each log piece is
    open. Insert one flame tab through
    the buttonhole and then open it in-
    side the log. The wrong side of the
    flame should face the arched side
    of the log (E). Place a small amount
    of hot glue around the inside of the
    buttonhole/tab to secure.

  • To assemble the log, fold the
    bottom along the satin stitches so it
    meets at the other end, forming an
    arch in the log. Fold down the log
    ends. Using the same thread used
    to stitch the design, hand stitch


from the top, around the arch, to
the bottom, and up the other side.


  • Use a little hot glue on the flame
    wrong side along the buttonhole
    to secure it to the log, slightly
    curving the flame. Allow the glue
    to cool thoroughly and then spray
    the flame lightly with three coats of
    the acrylic sealant, allowing to dry
    between coats.


E


34 CMEMAG.COM | Fall 2019

30-35_CME_F19_Cauldron.indd 3430-35_CME_F19_Cauldron.indd 34 6/28/19 10:18 AM6/28/19 10:18 AM


  • Repeat, continuing to align eyelets,
    placing the tab end of the center
    band pieces under the straight end
    of the next center band piece.

  • To strengthen the center of the
    cauldron and cover the backs of
    the brads, cut a 33" length of 12mm
    boning. Wrap it into a circle, over-
    lapping the ends. Working in sec-
    tions, place dabs of glue on and in
    between the prongs on the inside
    of the cauldron. Place the boning
    over the prongs so the edge of the
    boning is even with the inside edge
    where the pieces are joined, over-
    lapping and gluing the ends.

  • Fold an upper rim A piece in half
    lengthwise with wrong sides
    together. Sandwich the cauldron
    upper edge between the rim edges,
    aligning the rim and upper edge
    eyelets. Align the second eyelet of
    an upper band A piece with the first
    set of three aligned eyelets from
    the outside (staggering the band
    and rim will add stability to the
    cauldron). Insert a brad and spread
    the prongs per the center seam.

  • Repeat to fold, sandwich, align and
    secure along the upper edge, end-
    ing with the upper rim B and upper
    band B pieces.

  • To further stabilize the cauldron, cut
    a 27" piece of 12mm boning and
    add it to the inside upper edge over
    the brads per the center seam.

  • To finish the cauldron, load a small
    stiff brush with the metallic wax
    finish, and using a paper towel, work
    the paint into the brush, removing
    the excess. Dry bush over the upper
    bands, center bands and brads.
    Reload the brush as needed until all
    the sections have been dry brushed
    with paint. Begin with small
    amounts of paint, adding more as
    necessary to get the desired look.

    • Allow the paint to dry and then
      spray two or three light coats of
      sealant over the outside of the
      cauldron; allow the spray to dry
      thoroughly.




LOG ASSEMBLY
Note: Assemble the log and flame pieces
before sealing them with acrylic spray.


  • Ensure that the buttonhole at the
    upper portion of each log piece is
    open. Insert one flame tab through
    the buttonhole and then open it in-
    side the log. The wrong side of the
    flame should face the arched side
    of the log (E). Place a small amount
    of hot glue around the inside of the
    buttonhole/tab to secure.

  • To assemble the log, fold the
    bottom along the satin stitches so it
    meets at the other end, forming an
    arch in the log. Fold down the log
    ends. Using the same thread used
    to stitch the design, hand stitch


from the top, around the arch, to
the bottom, and up the other side.


  • Use a little hot glue on the flame
    wrong side along the buttonhole
    to secure it to the log, slightly
    curving the flame. Allow the glue
    to cool thoroughly and then spray
    the flame lightly with three coats of
    the acrylic sealant, allowing to dry
    between coats.


E


34 CMEMAG.COM | Fall 2019

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