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Three Busy DeBras is a weird show.
Set in the fictional town of Lemoncurd—
one of those posh Connecticut suburbs
where it still looks like the ’50s and every
stately home sits atop acres of mani-
cured lawn—it follows a trio of house-
wives who are, yes, all named Debra.
You can tell by her string of pearls that
Sandy Honig’s (Isn’t It Romantic) Debra
is the alpha; Alyssa Stonoha’s Debra is
her deadpan deputy. That makes Mitra
Jouhari’s character the odd Debra out,
scorned and scapegoated by her friends.
In the premiere, Stonoha and Jouhari
squash Honig’s pool boy between their
cars. Charged with disposing of his body,
Jouhari buys a purse big enough to stand
inside and pays for it with a fist-size em-
erald straight out of a video game. “Exact
change—nice touch,” chirps the clerk.
Desperate Housewives, The Stepford
Wives, Douglas Sirk melodramas and
every other pop- cultural depiction of
stultifying lives of women in suburbia
are in the DNA of this strange and won-
derful short-form series on Adult Swim.
But Debras, created by its stars with the
backing of Amy Poehler’s Paper Kite
Productions, does more than remix
homemaker tropes à la Weeds. Based on
the avant-garde comedy Honig, Jouhari
REVIEW
The surreal housewives of Lemoncurd
and Stonoha have been performing for
years, the show is delightfully absurdist.
The Debras wear stark white and de-
liver ridiculous lines (“A Debra must
be ready to conceive at all times”) with
mannered deliberateness. Sitcom cli-
chés get stretched to extremes; Stonoha
shoves a cop into a closet, exits wearing
his uniform... and then he struts out in
her character’s pantsuit. Ingenious sight
gags abound, from a woman pruning a
hedge with shaving cream and a razor to
a board game called Security Questions.
It’s particularly encouraging to see
the Debras on Adult Swim. Beloved for
stoner- friendly fare such as Rick and
Morty, The Eric Andre Show and Robot
Chicken, the brand has been criticized for
its lack of female creators. As it contin-
ues to champion oddballs like Tim & Eric,
whose new series Beef House premieres
back-to-back with Debras, experimental
comedy from women languishes on main-
stream platforms. (See: Maria Bamford’s
brilliant, canceled Netflix show Lady
Dynamite.) Here’s hoping the Debras are
just the first of many new female guests
invited to Adult Swim’s pool party. —J.B.
THREE BUSY DEBRAS debuts on Adult Swim
on March 29
REVIEW
Loop dreams
Swedish artist Simon
Stalenhag makes the familiar
strange, in digital images that
place hulking robots, decaying
machines and cement towers
in rural landscapes populated
by regular people. At first,
these uncanny works were like
concept art for a film that didn’t
exist. But Stalenhag soon
reverse- engineered a premise
for the art, which he collected
in a book called Tales From the
Loop, about a town where the
government had built an eerie
underground research facility
called the Loop.
Amazon’s adaptation
moves the Loop from Sweden
to Ohio, in eight loosely
connected sci-fi vignettes
from creator Nathaniel
Halpern (Legion). The show
captures the unnerving beauty
of Stalenhag’s work; in a
premiere directed by music-
video auteur Mark Romanek,
a house disintegrates upward,
drifting piece by piece into the
sky. Sadly, stiff, humorless
scripts stretch 15 minutes’
worth of plot over hour-long
episodes, leaving a cast led by
Jonathan Pryce and Rebecca
Hall scant material from
which to build characters. In
concentrating on its strange
tableaus, Halpern’s Loop
neglects to ground the tales
they illustrate in the familiarity
of human life. —J.B.
TALES FROM THE LOOP comes
MAKING THE CUT, TALES FROM THE LOOP: AMAZON PRIME VIDEO; THREE BUSY DEBRAS: ADULT SWIMto Amazon on April 3
Duncan Joiner and Abby Ryder
Fortson probe the depths
Stonoha, left, and Jouhari star as two of the show’s three Debras
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