ROMANTICISM AND THE RISE OF THE NOVEL
with the author’s own, although
places and settings were altered.
Characters such as great-aunt Betsy
Trottwood, the obsequious Uriah
Heep, and penniless Mr. Macawber
are among Dickens’ best-known
and best-loved creations.
THE SCARLET LETTER
(1850), NATHANIEL HAWTHORNE
Set amid the Puritan world of
mid-17th-century Massachusetts,
Hawthorne’s historical romance tells
the tale of Hester Prynne, a young
woman found guilty of adultery and
forced to wear a scarlet letter “A” to
signify her crime. Her husband has
long disappeared, and is presumed
dead. She defiantly refuses to name
the father of her daughter, Pearl—
against the demands of her public
trial and her church minister—so
is sent to prison. Hester’s alienation
from the strict religious creeds of
Puritan society allows American
writer Hawthorne (1804–64) to
explore wider spiritual and moral
issues, such as attitudes to the
notion of sin. The Scarlet Letter was
an immediate success, becoming
one of the first mass-produced
books in American history.
UNCLE TOM’S CABIN
(1852), HARRIET BEECHER STOWE
The hugely successful antislavery
tale by American writer Stowe
(1811–96) helped persuade readers
that Christian beliefs and slavery
were incompatible. Uncle Tom’s
Cabin tells of noble slave Tom, who
is sold and forced to leave his wife
and family, yet never loses his moral
values. In its first year of publication
Stowe’s story sold some 300,000
copies in the US, highlighting the
country’s race issue and North–
South division. It was even seen by
some as a spark for the American
Civil War (1861– 65).
NORTH AND SOUTH
(1854–1855), ELIZABETH GASKELL
English novelist Gaskell despised
social inequality and poverty. Her
tale of heroine Margaret Hale’s
journey from prosperous southern
England to the north allowed readers
to see the dire state of the lowest
classes in Britain’s industrial
northern cities. The work graphically
depicts the division between the
north and south of England and
the lives of those who provided the
labor for the Industrial Revolution.
It was published serially just after
Hard Times by Dickens, at whose
request Gaskell wrote her novel.
meets Abbé Faria, who tells him
of hidden treasure on the island of
Monte Cristo. After escaping and
finding the treasure, Dantès rises
again as the Count of Monte Cristo.
VANITY FAIR
(1847–1848), WILLIAM
MAKEPEACE THACKERAY
Vanity Fair follows the fortunes of
two women—Amelia Smedley, from
a decent family, and the orphan
Becky Sharp—as they head out
into a swirling social world seeking
wealth and standing. They are polar
opposites: Amelia is innocent and
gentle, while Becky is ferocious in
her ambition to climb the social
strata. English author Thackeray
(1811–63) paints a vivid parody of
society and creates an essentially
amoral heroine in the impish Becky.
DAVID COPPERFIELD
(1849–1850), CHARLES DICKENS
Describing the coming of age of the
title character, David Copperfield
was first published in serial form,
and of all the novels of Dickens (see
p.147), it is the one closest to an
autobiographical work. The details
of Copperfield’s life show parallels
153
Elizabeth Gaskell
Born in London in 1810,
Gaskell was the daughter
of a Unitarian minister.
Married to a church minister
in industrial Manchester,
she began writing in her
30s after beginning a diary
to record the day-to-day life
of her family. Her first books
drew on her early life in rural
Cheshire, but it was her later
novels, set amid the poverty
and strife of the working class,
that made her name. She died
in 1865, her finest work—Wives
and Daughters—unfinished.
Key works
1848 Mary Barton
1853 Cranford
1854–55 North and South (see
above)
Vanity Fair is a very vain,
wicked, foolish place ...
Vanity Fair
William Makepeace Thackeray
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