The Literature Book

(ff) #1

223


See also: One Thousand and One Nights 44–45

C


olonial empires began their
inevitable decline in the
aftermath of World War I,
thanks partly to the war’s impact
on the centers of Western culture.
Literary orientations, topics, and
themes began to reflect the new
shift in the balance between
colonizers and colonized. Among
the many postcolonial narratives to
emerge, those emanating from the
Arab world of North African and
Middle Eastern countries came to
international prominence.

Diversity of ideas
Lebanese writer, philosopher, and
artist Khalil Gibran (1833–1931; also
known as Kahlil) was one of the
most acclaimed authors to emerge
out of the blossoming pool of Arab
intellectuals. His own Christian
upbringing and his interest in the
teachings of Islam, Sufism, and
Judaism represented a break
from the traditional link between
geographical and spiritual beliefs,
and were the major influences on
his English collection of illustrated
prose poems titled The Prophet.

In this book, Gibran uses a style
familiar in religious scripture and
sermons to deliver short speeches
spoken by the prophet Almustafa
to a diverse crowd as he is about
to depart by boat from the city of
Orphalese. The 26 essays range
from reflections on love, passion,
children, and eating, to thoughts
on justice, time, evil, and death.
The essays emphasize human
relationships and encompass
themes of diversity and a universal
love that is free from the bounds of
a single belief system. ■

BREAKING WITH TRADITION


LOVE GIVES NAUGHT


BUT ITSELF AND


TAKES NAUGHT BUT


FROM ITSELF


THE PROPHET (1923), KAHLIL GIBRAN


IN CONTEXT


FOCUS
Modern Arabic voices

AFTER
1935 Prolific writer and
scholar Taha Hussein, the
“Dean of Arabic Literature,”
tells of an Egyptian author’s
struggle between Arab and
European culture in his novel
A Man of Letters, played out
between Cairo and Paris
during World War I.

1956–57 Naguib Mahfouz’s
The Cairo Trilogy follows a
Cairene family from the 1919
Egyptian Revolution against
British colonial rule to nearly
the end of World War II in 1944,
highlighting the personal,
social, and political struggle of
a changing city and country.

1985 The Sand Child, written
in French by Tahar Ben
Jelloun, explores and critiques
issues of traditional Islamic
values, gender politics, and the
construction of identity in a
postcolonial Moroccan setting.

These things move within
you as lights and shadows
in pairs that cling.
The Prophet

US_222-223_Arms_Prophet.indd 223 08/10/2015 13:08

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