275
See also: Don Quixote 76–81 ■ Tristram Shandy 104 – 05 ■ The Outsider 245 ■
If on a Winter’s Night a Traveler 298–99
POSTWAR WRITING
form of music that was a clear
influence on Cortázar’s style, with
its staccato, syncopated rhythm.
We hear of Oliveira’s discussions
with fellow members of the vaguely
defined Serpent Club, their
reverence for mysterious author
Morelli, and Oliveira’s love of (but
troubled relationship with) La Maga.
Eventually, he heads to Argentina,
where he finds work in an asylum.
Narrative strategies
The second book takes Argentina
as its stage. In some Expendable
Chapters, Cortázar’s belief that
the reader should be aware of the
workings of a novel—as participant
and even conspirator—can be
detected, ultimately destroying the
status of the text itself as a novel.
Cortázar’s depiction of mental
deterioration, disconnected and
alienating human interaction, and
forced travel across countries is
mirrored in the effects that the
book as an object demands of the
reader. In this way the author
successfully draws attention to the
text’s fictional constructs, as well
as to the expectations that we have
of the novel form. ■
First book
Expendable Chapters
Hopscotch invites the reader to
experiment with different pathways
through its pages. There is a “normal”
first book of 56 chapters, and a second
making use of 99 “Expendable Chapters.”
Each book can be read separately, and
there also several alternative options.
Julio Cortázar
Julio Cortázar was born
to Argentinian parents in
Belgium in 1914. His family
moved to Switzerland at
the beginning of World
War I, but settled in Buenos
Aires, Argentina, in 1919.
Cortázar became qualified
as a teacher at an early age,
and began his university
studies in philosophy and
language in Buenos Aires, but
these were interrupted due to
financial difficulties.
In 1951 he emigrated to
France, where he worked as
a translator while constantly
traveling and writing short
stories. He became engaged
in political causes, supporting
the left-wing movements in
Cuba and mainland Latin
America, which he visited
several times from the 1960s
onward. Around the same
time, his novels, including
Hopscotch, started being
published. Cortázar died
in 1984 at 69, and is buried
in Paris.
Other key works
1960 The Winners
1967 Blow-Up and Other
Stories
1968 62: A Model Kit
1973 A Manual for Manuel
81
1 2 3 4 5
73 71
116 84 74
[A] chess world where you
moved about like a knight
trying to move like a rook
trying to move like a bishop.
Hopscotch
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