his
methods,
buthewouldnottoleratean
outright
lie,
andin 1902 hechal-
lengedKleppini
toahandcuffduel.Kleppiniaccepted.
Througha
spy,hefoundoutthesecretwordtounlocka
pair
ofFrenchcombination-lockcuffs
thatHoudinilikedtouse.His
plan
wastochoosethesecuffsto
escapefrom
onstage.
Thiswoulddefinitively
debunkHoudini—his
“genius”sim-ply
lay
inhis
use
ofmechanical
gadgets.Onthenight
ofthechallenge,just
asKleppini
hadplanned,
Houdiniofferedhimachoiceofcuffsandheselectedtheoneswiththecombination
lock.
Hewasevenableto
disappear
withthembehindascreentomakeaquick
test,
and
reemerged
secondslater,
confident
of
victory.Acting
as
if
he
sensed
fraud,
Houdinirefused
tolockKleppini
in
thecuffs.Thetwomen
argued
andbegan
tofight,
evenwrestling
witheachother
onstage.
Afterafewminutesof
this,
anapparentlyangry,
frustratedHoudini
gaveup
andlockedKleppini
inthecuffs.ForthenextfewminutesKleppini
strainedto
getfree.Something
was
wrong——minutesearlier
hehad
opened
thecuffsbehindthe
screen;
nowthesamecodenolonger
worked.He
sweated,
racking
hisbrains.Hourswentby,
theaudience
left,and
finally
anexhaustedandhumiliated
Kleppini
gaveupandaskedtobereleased.
ThecuffsthatKleppini
himselfhadopened
behindthescreenwiththeword “C—L—E-F—S”
(French
for“keys”)
nowclickedopenonly
withtheword“F-R-A-U-D.
”Kleppini
neverfigured
outhowHoudinihadaccom-plished
this
uncannyfeat.Interpretation
Although
we
donotknow
forcertainhow
Houdiniaccomplishedmany
ofhismost
ingeniousescapes,
onething
isclear:Itwasnotthe
occult,
or
anykindof
magic,
that
gavehimhis
powers,buthardworkandendless
prac-tice,
allofwhichhecarefully
concealedfromtheworld.Houdinineverleftanything
to
chance-—-dayandnight
hestudiedtheworkings
of
locks,re-searchedcenturies-old
sleight—of-hand
tricks,
pored
over
books
onmechanics,
whateverhecoulduse.
Every
momentnotspentresearching
he
spentworking
hisbody,keeping
himselfexceptionally
limher,
andlearning
howtocontrolhismusclesandhis
breathing.
Early
oninHoudini’s
career,anoldJapaneseperformer
whomhetouredwith
taught
himanancient
trick:
how
to
swallowan
ivory
ball,
thenbring
itback
up.Hepracticed
thisendlessly
withasmallpeeled
potatotiedtoa
string—up
anddownhewouldmanipulate
the
potatowithhisthroatmuscles,
untilthey
were
strongenough
tomoveitwithoutthe
string.Theorganizers
oftheLondonhandcuffchallenge
hadsearchedHoudini’sbody
thoroughly
beforehand,butno
onecouldchecktheinsideofhis
throat,wherehecouldhaveconcealedsmalltoolsto
help
him
escape.Even
so,Kleppini
wasfundamentallywrong:
ItwasnotHoudini’stoolsbuthis
prac-tice,work,
andresearchthatmadehisescapespossible.
Kleppini,
infact,
wascompletely
outwitted
by
Houdini,whosetthewhole
thingup.
Helethis
opponentlearnthecodetotheFrenchcuffs,
Keep
theexrent
nfyourabilitiesunknown.ThewisemandoesnotallowhIS
knowledgeandabilitiestoberoundedtothe
bottom,ifhedesirestobehonored
by
all.Heallows
youtoknowthembut710!tocomprehend
them.Noonemustknowtheextent
of/zit
abilitieslesthebe
disappointed.Nooneeverhasanopportunityoffazhmwing
him
entirely.
Furguesses
anddoubtsaboutthe
extem
ofhistaletusarousemorevenerationthanaccu—rule
knowledgeofthem,
be
theyeversogreat.BALTASARGRACIAN,1601-1658LAW 30 249