superior
tothosearoundthemin
intelligence,
wit,
andcharm.Itisa.
deadly
butcommon
misperception
to
believethat
bydisplaying
and
vaunting
yourgifts
and
talents,
you
are
winning
themaster’saffection.He
mayfeign
appreciation,
butathisfirst
opportunity
hewill
replaceyou
withsomeone
less
intelligent,
less
attractive,
less
threatening,
just
asLouisXIV
replaced
the
sparklingFouquet
withtheblandColbert.Andaswith
Louis,
hewill
notadmitthe
tmth,
butwillfindanexcusetorid
himselfof
yourpresence.
ThisLaw
involvestworules
that
you
mustrealize,
First,
you
can
inad-
vertently
outshineamaster
simplybybeingyourself.
Therearemasters
whoaremoreinsecurethan
others,
nronstrously
insecure;
youmay
natu-
rally
outshinethem
byyour
charmand
grace.
Noonehad
morenaturaltalents
than
Astorre
Manfredi,
prince
of
Faenza.Themosthandsomeofallthe
youngprinces
of
Italy,
he
captivated
his
subjects
withhis
generosity
and
openspirit.
Inthe
year
1500,
Cesare
Borgia
laid
siege
toFaenza.Whenthe
city
surrendered,
thecitizens
expected
theworstfromthecruel
Borgia,
who,
however,
decidedto
spare
thetown:
He
simplyoccupied
its
fortress,
exe-
cutednoneofits
citizens,
andallowedPrince
Manfredi,
eighteen
atthe
time,
toremainwithhis
court,
in
complete
freedom.
Afewweeks
later,though,
soldiershauledAstorreManfredi
away
toa
Roman
prison.
A
year
after
that,
his
body
wasfishedoutoftheRiver
Tiber,
a
stonetiedaroundhisneck.
Borgiajustified
thehorribledeed
with
somesortof
tmmped~up
charge
oftreasonand
conspiracy,
butthereal
problem
wasthathewas
notoriously
vainandinsecure.The
young
man
was
outshining
himwithouteven
trying.
GivenManfredi’snatural
talents,
the
prince’s
mere
presence
made
Borgia
seemlessattractiveandcharis-
matic.Thelessonis
simple:
If
you
cannot
helpbeingcharming
and
supe~
not,
you
mustlearntoavoidsud:monstersof
vanity.
Either
that,
orfinda
way
tomute
yourgoodqualities
wheninthe
company
ofaCesare
Borgia.
Second,
never
imagine
thatbecausethemasterloves
you,
you
cando
anythingyou
want.Entirebookscouldbewrittenaboutfavoriteswhofell
outoffavor
bytaking
theirstatus
for
granted,
for
daring
tooutshine.In
late-sixteentbcenturyjapan,
thefavoriteof
EmperorHideyoshi
wasaman
calledSenno
Rikyu.
The
premier
artistofthetea
ceremony,
whichhadbe-
comeanobsessionwith the
nobility,
hewasone of
Hideyoshi’s
most
trusted
advisers,
hadhisown
apartment
inthe
palace,
andwashonored
throughoutjapan.
Yetin
1591,
Hideyoshi
hadhimarrestedandsentenced
todeath.
Rikyu
tookhisown
life,
instead.Thecauseforhissudden
change
offortunewasdiscoveredlater:Itseemsthat
Rikyu,
former
peasant
and
latercourt
favorite,
hadhadawoodenstatuemadeofhimself
wearing
san-
dals
(a
Sign
of
nobility)
and
posingloftily.
Hehadhadthisstatue
placed
in
themost
importanttemple
insidethe
palacegates,
inclear
sight
ofthe
roy-
alty
whooften
would
passby.
To
Hidcyoshi
this
signified
that
Rikyu
had
nosenseoflimits.
Presurning
thathehadthesame
rights
asthoseofthe
highestnobility,
hehad
forgotten
thathis
positiondepended
ontheem»
peror,
andhadcometobelievethathehadearneditonhisown.Thiswas
LAW 1