Ifymt
wanttotelllies
thatwillbehelilaved,
dun’!tell
the
truth
thatwont
EMPLRORTUKU19/\wA
lF\i;\Sl;orJ/‘P/\Y\u
S1-‘.\'l-‘NTF1N'I’ll(‘ENFURY
266 LAW 32
pic
ofhisalchemicskill.His
sumptuouspalace,
his
opulentgarments,
the
clink
of
gold
inhis
hands,
all
these
provided
a
superiorargument
to
any-
thing
rational.And
these
establishedthe
cycle
that
kept
him
going:
Hisob~
viouswealthconfirmedhis
reputation
asan
alchemist,
sothat
patrons
like
theDukeofMantua
gave
him
money,
whichallowedhimtolivein
wealth,
whichreinforcedhis
reputation
asan
alchemist,
andsoon.
Only
oncethis
reputation
was
established,
and
dukesandsenators
were
fighting
over
him,
didheresort
to
the
triflingnecessity
ofademonstration.
By
then,however,
people
were
easy
todeceive:
They
wantedtobelieve.TheVenetiansena-
torswhowatchedhim
multiply
gold
wantedtobelieveso
badly
that
they
failedtonoticethe
glasspipeup
his
sleeve,
fromwhich
he
slippedgold
dustinto
his
pinches
of
minerals.Brilliantand
capricious,
hewasthe
al
chemistoftheirfantasies—-andoncehehadcreatedanauralike
this,
no
onenoticedhis
simple
deceptions.
Suchisthe
power
ofthefantasiesthattakerootin
us,
especially
in
timesof
scarcity
and
decline.
Peoplerarely
believethattheir
problems
arisefromtheirown
misdeedsand
stupidity.
Someone
or
something
out
thereistoblame—-the
other,
the
world,
the
gods—and
sosalvationcomes
fromtheoutsideaswell.Had
Bragadino
arrivedinVenicearmedwitha
detailed
analysis
ofthereasonsbehindthe
city’s
economic
decline,
andof
thehardcnosed
steps
thatitcouldtaketoturn
things
around,
hewould
havebeen
scorned.The
reality
wastoo
ugly
andthesolutiontoo
painful-—
mostly
thekindofhardworkthatthecitizens‘ancestors
had
musteredto
createan
empire.
Fantasy,
ontheotherhand——inthiscasetheromanceof
alchemy--waseasy
tounderstandand
infinitely
more
palatable.
To
gainpower,you
mustbeasourceof
pleasure
forthosearound
you--and pleasure
comes from
playing
to
people’s
fantasies. Never
promise
a
gradualimprovementthrough
hard
work;rather,
promise
the
moon,
the
great
andsudden
transformation,
the
pot
of
gold.
Nomanneed
despairofgainiug
convertstothemost
extravagant
hypothesis
whohasan
enough
to
represent
it£1;
favomable
colors.
DavidHium’,I71.1-J 776
KEYSTOPOWER
Fantasy
can
never
operate
alone.It
requires
the
backdrop
ofthehuxndrum
andthemundane.It
is
the
oppressiveness
of
reality
that
allows
fantasy
to
takerootandbloom.In
sixteenth-century
Venice,
the
reality
wasoneofde
clirreandlossof
prestige.
The
correspondingfantasy
describedasudden
recovery
of
pastgloriesthrough
themiracleof
alchemy.
Whilethe
reality
onlygot
worse,
theVenetians
inhabited
a
happy
dreamworldin
which
their
city
restoreditsfabulouswealthand
powerovernight,turning
dust
into
gold.
The
person
whocan
spin
a
fantasy
outofan
oppressivereality
hasac-
cesstountold
power.
As
you
searchforthe
fantasy
thatwilltakeholdofthe