Vermeerforhisscambecauseheunderstood
fantasy:
The
paintings
would
seemreal
precisely
becausethe
public,
andthe
experts
as
well,
so
desper-
ately
wantedto
believe
they
were.
Remember:The
key
to
fantasy
isdistance.Thedistanthasallureand
promise,
seems
simple
and
problem
free.What
you
are
offering,
xhen,
shouldbe
ungraspable.
Neverletitbecome
oppressively
familiar;
itisthe
mirage
inthe
distance,
withdrawing
asthesucker
approaches.
Neverbe
(nodirectin
describing
the
fantasywkeep
it
vague.
As
a
forget
of
fantasies,
let
your
victim
comeclose
enough
toseeandbe
tempted,
but
keep
himfar
awayenough
thathe
staysdreaming
and
desiring.
Image:
The
Moon.
Unattainable,
always
changingshape,
disappezuing
and
reappear-
ing.
Welookat
it,
imagine,
wonder,
and
pine——neVer
fa.-
miliar,
continuous
provoker
ofdreams.Donotoffer
theobvious.Promise
the moon.
Authority:
Alie
isan
alluremeut,
a
fabrication,
thatcanbeembell-
ishedintoa
fantasy.
Itcanbeclothedintheraimentsofa
mystic
conception‘
Truthis
cold,
sober
fact,
notsocomfortabletoabsorb.
Alieismore
palatable.
Themostdctested
person
intheworldis
theonewho
always
tellsthe
truth,
who
never
romances..
..
Ifounditfarmore
interesting
and
profitable
toromancethanto
tellthetruth.
{Joseph
Weil,
a.l:.a.“TheYellow
Kid,”
l875wl976)
LAW 32 269